羅家倫夫人張維楨女史捐贈書畫目錄,頁64、159-161&*本幅為羅家倫夫人捐贈。河岸邊座落著一座無人的小亭,亭後的有數株樹葉稀落或全枯的樹木,景緻蕭瑟。對岸的山巒起伏,層層推移。此作布局、筆墨,以及畫中無人的表現,都與倪瓚(西元一三○一-一三七四年)的畫風相符,可是這件畫作的皴筆比較繁複,上方款題的書風又和倪瓚不同,應是一件後人冒用他名字的作品。 倪瓚,字元鎮,號雲林、迂翁。善畫山水,為元四大家之一。 &* The work was donated by Mrs. Lo Chia-lun. Standing in the foreground on the embankment is an empty kiosk. Next to it stand several trees, some with leaves and others bare (echoing the barren landscape). The trees rise through the middleground expanse of water almost to the clusters of hills and the peak in the background. The arrangement, brushwork, and composition devoid of people are all features associated with Ni Tsan’s style. However, the texture strokes are more complex than those associated with his style. The calligraphy in the upper right also differs from Ni Tsan’s. Thus, this is probably a later work after Ni Tsan’s style. Ni Tsan excelled at landscape painting and was one of the Four Masters of the Yüan.