清高鳳翰大富貴圖 軸
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- 資料識別：
- 贈畫000452N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 高鳳翰
- 主題與關鍵字：
- 牡丹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 清高宗乾隆五年（1738）
- 格式：
- 本幅 133.7x74公分、全幅 78.2公分
- 關聯：
- 高鳳翰（西元一六八三－一七四八），字西園，號南村，晚號南阜。官徽州績溪知縣。早歲即揚名文壇，工書畫，畫花卉尤奇逸。好藏硯石，亦善刻印。晚年病痺，用左手揮灑，筆愈蒼辣。本幅畫牡丹盛開，紅白相映，筆墨頗隨意。款署左手畫，可知南阜，雖病右手，然不廢畫業，以左手畫之，觀畫技不輸右手，高氏可謂畫壇奇人之一。本幅為黃君璧先生捐贈。 &* Kao Feng-han, a native of Shantung province, was a scholar-official. His literary talents were recognized at an early age, and he was also skilled as a painter and a calligrapher. Late in life, he was stricken with partial paralysis. From that time on, he used his left hand to paint and write, resulting in the unique appearance of his brushwork. This painting depicts peonies in full bloom. Red and white compete in splendor, born from a brush without inhibition or restraint. Though the inscription mentions that Kao painted this with his left hand, the style is still strong and free. He is thus ranked as one of the more unusual figures in Chinese art history. This work was donated to the National Palace Museum by Mr. Huang Chün-pi. &*高鳳翰（西元一六八三—一七四八年），字西園，號南村，晚號南阜。早歲即揚名文壇，工書畫，畫花卉尤奇逸。好藏硯石，亦善刻印。晚年病痺，用左手揮灑，筆愈蒼辣。 此幀是高氏五十八歲之作，畫牡丹盛開，紅白相映。當時其右手已殘，無論是畫作或是畫幅上的款識，都以左手完成。全作筆墨隨意，不拘成法；款識的書法運筆瀟灑，氣韻流動，觀其技藝實不輸右手。本幅為黃君璧先生捐贈。 &* Gao Fenghan, a native of Shandong province, was a scholar-official. His literary talents were recognized at an early age, and he was also skilled as a painter and a calligrapher. Late in life, however, he was stricken with partial paralysis. From that time on, he used his left hand to paint and write, resulting in the unique appearance of his brushwork. This painting depicts peonies in full bloom. Red and white compete in splendor, borne from a brush without inhibition or restraint. Though the inscription mentions that Gao painted this with his left hand, the style is still strong and free. He is thus ranked as one of the more unusual figures in the history of Chinese art. This work was donated to the National Palace Museum by Mr. Huang Chun-pi. &*黃君璧先生捐贈文物特展目錄，頁41-42、50&*高鳳翰（1683－1748），字西園，號南村，晚號南阜。早歲即揚名文壇，工書畫，畫花卉尤奇逸。好藏硯石，亦善刻印。晚年病痺，用左手揮灑，筆愈蒼辣。 此幀是高氏五十八歲之作，畫牡丹盛開，紅白相映。當時其右手已殘，無論是畫作或是畫幅上的款識，都以左手完成。全作筆墨隨意，不拘成法；款識的書法運筆瀟灑，氣韻流動，觀其技藝實不輸右手。 黃君璧先生捐贈於民國74年。(20110204)&* Gao Fenghan (style name Xiyuan, sobriquet Nancun, late sobriquet Nanfu) was recognized for his literary talents at an early age and also skilled at painting and calligraphy, excelling in particular at flower painting. Furthermore, Gao was an avid collector of inkstones and a fine carver of seals. Late in life, however, he was stricken with partial paralysis, and from that time on used his left hand to paint and write, giving his brushwork even greater boldness. This work, done at the Chinese age of 58, depicts peonies in full bloom as red and white blossoms contrast with each other. At that time Gao’s right hand had already been paralyzed, so here both his painting and inscription at the top were done with his left hand. Brush and ink flow with ease to the artist’s content and unrestrained by convention. The calligraphy in the inscription features dashing and refined movement as the brush moved with harmony, demonstrating that Gao’s skill as a left-hander was actually not inferior to that as a right-hander. Mr. Huang Chün-pi donated this hanging scroll to the National Palace Museum in 1985.(20110204)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
