民國溥儒玉堂富貴 軸
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 贈畫000196N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 溥儒、溥心畬（Pu Hsin-yu）
- 主題與關鍵字：
- 牡丹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 71.1x39.1公分、全幅 89.4x53.8公分
- 關聯：
- 溥心畬先生書畫特展目錄，頁67、85&*溥心畬（西元一八九六〜一九六三），河北宛平人。字心畬，號西山逸士，清恭親王奕訢之孫。幼即究心詩詞、經史、書畫。由臨摹古書畫入手，天賦極高，終能卓然成家，與張大千齊名，有「南張北溥」之稱。 溥心畬擅長山水，亦擅馬、猴、花鳥、人物等各類題材。本幅作者自題「玉堂富貴」，是以寫意沒骨技法繪牡丹一枝，運筆自由，不拘泥於花瓣枝葉的形似。 劉德豐先生捐贈於民國七十年。 (20120106)&* Pu Hsin-yu (named Ru but going by his style name; sobriquet Xishan yishi) was a native of Wanping (modern Beijing) and the grandson of Prince Gong, Yixin, of the Qing imperial family. He delved into poetry, history and the Classics, and painting and calligraphy since childhood. He approached the latter by copying ancient works. Highly talented, he was able to develop an outstanding style, achieving fame equal to Chang Dai-chien, hence the expression “Chang of the South, Pu of the North.” Pu Hsin-yu specialized in landscape painting but also excelled at such subjects as horses, gibbons, birds and flowers, and figures. The title of this work is an allusion to the peony and depicts a single flowing stalk of it in the “sketching-ideas” method using “boneless” washes. The brush movement is free and not confined to the shapes of its leaves, stems, and petals. Mr. Liu Te-feng donated this painting to the National Palace Museum in 1981. (20120106)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
