主要題名-中文:台灣布袋戲偶的偶頭製作工藝（分類號CACPP_00）

主要題名-英文:Taiwanese Hand Puppet Theater The craft of making the puppet head

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後設資料

資料識別：: 分類號:CACPP_00
資料類型：: 民俗工藝; 影音
主題與關鍵字：: 台灣布袋戲偶頭製作; 製作工藝
描述：: 中文說明:台灣布袋戲偶傳承於古老的芻靈祭祀，並以戲劇人物為木偶的造型，故其戲偶的品類，也以戲偶的臉譜為分類；換句話說，布袋戲的戲偶，即以臉譜、盔帽、服飾，來分別其戲偶之不同。台灣布袋戲偶的偶頭，是展現布袋戲偶的個性與生命，一般將偶頭臉部造型分為「三骨」與「五形」，其中「三骨」是指偶頭臉部的眉骨、顴骨及下顎骨，「五形」是指偶頭臉部的兩眼、兩鼻孔及嘴巴。台灣布袋戲偶的美醜忠奸或是喜怒哀樂都與「三骨」「五形」有密切相關。台灣布袋戲偶的製作工藝可分為偶頭、偶手腳、偶戲服及偶道具等幾個部份，其中製作戲偶最關鍵的是偶頭; 英文說明:Taiwanese Hand Puppet Theater originates from the ancient sacrificial rites dedicated to the spirit “Chu Ling.” The wooden marionettes are modeled on Chinese theater characters and their “lianpu”—the mask-like make up that distinguishes their roles. That is to say, we can differentiate between different types of dolls from their lian pu, headdress, and costumes and accessories. The head of the puppet is important as it gives it life and personality. The types of heads can be divided overall into “san gu” (lit. three bones) and “wu hsing” (lit. five forms). San gu refers to the brow, cheeks, and jaw bone, while wu hsing refers to the two eyes, two nostrils, and mouth. San gu and wu hsing endow the puppet it’s own aesthetic beauty, personality, and emotions and feelings. The construction of traditional Taiwanese puppets can be divided into the making of the head, limbs, costumes, and props, the most important of which is the crafting of the head. There are many steps which require special attention including symmetry of facial features, articulation of contours and coloring, and ensuring hair is fixed accurately and firmly into place. The techniques used to create puppets’ heads differ greatly from those used to make other sculptures of spiritual deities. The work involved can be divided into the following steps: 1. Selecting wooden blanks 2. Sculpting work 3. Refining work 4. Sanding 5. Paper covering 6. Applying sand-based plaster 7. Smoothing the plaster surface 8. Lacquering 9. Applying lianpu make-up 10. Applying varnish 11. Hair application and styling From the craftsmanship involved in creating these traditional Taiwanese puppets, it is clear that each puppet must undergo a complicated and delicate handiwork prior to their stage debut. Each of the steps in the handiwork, including sculpting, painting, lacquering, and other folk handicraft techniques, is very difficult to master.
管理權：: 典藏國家:中華民國; 典藏單位:台灣民俗文物館