明王寵自書五憶歌 卷
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- 資料識別：
- 故書000115N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 王寵
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明三世宗嘉靖七年（1528）
- 格式：
- 本幅 29.3x294.5公分、隔水一 14公分、隔水二 14公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈三編（延春閣），第四冊，頁1946。&*故宮書畫錄（卷一），第一冊，頁122。 &*王寵（西元一四九四－一五三三年），長洲（今江蘇蘇州）人。字履仁，又字履吉，號雅宜山人。與兄王守從學於文徵明與蔡羽。工詩文，書學王獻之、虞世南。與祝允明、文徵明同被譽為「吳中三家」。 此幅書於金粟山藏經紙上，紙之質地堅硬，特能表現出王寵起伏頓按、急遽有力的筆法。履吉善用拗筆，筆調硬拙峻拔，韻味獨特。書此作年方三十五歲，而筆意間流露的風采，淹有大家氣度。 &*Wang Ch’ung, a native of Soochow, studied with his brother Wang Shou under Wen Cheng-ming and Ts’ai Yü. Wang Ch’ung excelled at poetry and prose, and his calligraphy followed the ancient styles of Wang Hsien-chih and Yü Shih-nan. Wang is known along with Chu Yün-ming and Wen Cheng-ming as the “Three Talents of Soochow.” These poems were written on sutra paper from Mt. Chin-su. The paper texture is stiff and capable of revealing Wang’s quick and forceful brushwork as well as the areas where he lifted and pressed the brush. Wang’s brushwork has a sturdy and slightly awkward effect to give his calligraphy a unique, rhythmic quality. This work done at Wang’s nominal age of 35 has the air of a great calligrapher. &* 王寵（1494－1533），長洲（今江蘇蘇州）人。字履仁，又字履吉，號雅宜山人。他的父親王貞雖然是一位商人，但好收古器物和書畫自娛。在父親的影響下，王寵和他的兄長王守都跟從文徵明（1470－1599）和蔡羽學習書法，也擅長詩文。他的書法學王獻之（344－386）、虞世南（558－638）。與祝允明（1460－1526）、文徵明同被譽為「吳中三家」。 這件書卷是一幅行草書的作品，恣肆縱逸，神彩飛揚。王寵下筆硬挺，只有在轉筆的地方稍微圓潤一些，所以筆調硬拙峻拔。雖然這是一件今草的作品，但幾乎字字獨立，字跡又帶有章草的筆意，如書卷中的「眠」、「泰」、「裂」等字的捺筆收尾都還保存了隸書的韻致。這件書法是王寵三十五歲的作品，寫在質地堅硬的金粟山藏經紙上，更能將王寵起伏頓按、急遽有力的筆法特色表現出來，是他傳世的一件精品。 &* Wang Ch'ung, a native of Soochow, was the son the merchant Wang Chen, who also collected antiquities as well as painting and calligraphy. Influenced by his father, Wang Ch'ung studied with his brother under Wen Cheng-ming (1470-1559) and Ts'ai Yu, excelling at poetry and prose. His calligraphy followed the style of Wang Hsien-chih (344-386) and Yu Shih-nan (558-638). Wang is known along with Chu Yun-ming and Wen Cheng-ming as one of the "Three Talents of Soochow." This is a handscroll of semi-cursive calligraphy that flies and darts across the paper. Wang's application of the brush was somewhat stiff, with only the turns of the brush being slightly softer, giving a slightly harsh yet archaic effect. Although in modern cursive, the characters in this work are practically independent with a sense of draft cursive. The individual strokes of some characters also suggest a touch of clerical script. These poems were done at the age of 35 and written on stiff sutra paper from Mt. Chin-su, which reveals Wang's quick and forceful brushwork as well as the areas where he lifted and pressed the brush. This work is one of the best surviving ones by Wang Ch'ung. &*1.許郭璜，〈明王寵自書五憶歌〉，收入許郭璜主編，《王寵書法特展圖錄》（臺北：國立故宮博物院，1992年七月初版一刷），頁129。
- 管理權：
- 國立故宮博物院
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