宋朱熹易繫辭 冊
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- 資料識別：
- 贈書000335N000000000
- 資料類型：
- 書法
- 著作者：
- 朱熹
- 日期：
- TIME STAMP:21-12月-06
- 格式：
- 本幅 36.5x61.8公分&後副葉 44.1x71.5公分
- 語言：
- 漢文
- 關聯：
- 故宮受贈文物選萃，頁59-63、154-155&林宗毅先生捐贈書畫目錄，頁1-9、111&朱熹（西元一一三０─一二００年），江西婺源人，家福建建陽。字元晦，一字仲晦，號晦庵，又號雲谷老人，更號滄洲病叟，晚號遯翁，人稱考亭先生。工書，而不以書名，固以學掩之，然尋其書則點畫波磔，無一不合書家矩矱。本幅大字行書約五寸見方，內容為易經上之繫辭，共一百零七字，為僅見之佳作。通幅行筆迅疾，縱逸奔放，擒縱自如，氣勢雄健，神化無窮。&Chu Hsi was native of Wu-yüan, Kiangsi and lived in Fu-yang, Fukien. His style names were Yüan-hui and Chung-hui, and his sobriquets were Hui-an, Yün-ku lao-jen and Ts'ang-chou ping-sou. He was later known as Tun-weng and others called him K'ao-ting hsien—sheng. Although Chu was a skilled calligrapher, his fame in calligraphy was overshadowed by his distinction as a great scholar. If one examines his calligraphy, however, there is not one stroke that does not adhere to calligraphic rules. The Hsi-tz'u chapter of the I-ching (Book of Changes) has been written with large characters in the semi-cursive script on this scrol1. There are a total of 107 characters in this rare masterwork. The semi-cursive script of this scroll is swift and unrestrained and makes pauses and flows freely. The writing possesses a vehement force and an inexhaustible spirit.&朱熹（1130－1200），字元晦，號晦翁、晦庵，安徽婺源人。以父親任官福建，於福建延平出生。紹興十八年（1148）進士。朱子的學術成就，尤其對四書的章句注解，成了南宋的官學，以後士子科舉必讀的書，影響至今。 本件是行楷大書，每字在五寸之上，共一百零七個字。朱熹大約於四十五歲到五十三歲之間寫成。朱熹對書法也有所講究。從朱子的楷書作品與唐虞世南＜比較，筆法與結體相近。易繫辭字的結體，上重而下輕，也與虞字相近。行筆筆勢深沉而急速，時有飛白，大有快劍斫陣，筋骨突出，這也是朱熹書蹟常見的特徵。此件為林宗毅先生於民國七十五年捐贈故宮（王耀庭）&朱熹（一一三○ -一二○○），字元晦，號晦庵，人稱考亭先生。徽州婺源（今屬江西）人，南宋哲學家。 本幅十四開，是朱熹存世僅見的大字墨蹟，所書為《易經》上的「繫辭」，共一百零七字，經元明兩代藏家之手，於清乾隆時入宮，著錄於《石渠寶笈．初編》，為流傳有緒之作品。此冊楷書為主，筆劃卻是爽快有力。墨色黝黑，非常醒目。 本冊為林宗毅先生捐贈。 &Commentary to The Book of Changes Chu Hsi (1130-1200) Sung Dynasty Chu Hsi (style name Yüan-hui, sobriquet Hui-an) was known also as Mr. K’ao-t’ing. A native of Wu-yüan, Hui-chou (now part of Kiangsi), he was a famous Southern Sung philosopher. This album donated by Mr. Lin Tsung-i consists of 14 leaves and is the only surviving example of large-character calligraphy by Chu Hsi. Here, he has transcribed the “Appendix” commentary to The Book of Changes, 107 characters in all. Passing through the hands of Ming and Ch’ing collectors, it entered the court of the Ch’ing emperor Ch’ien-lung and was recorded in the imperial catalogue of painting and calligraphy, making for a well-documented history. Mainly in regular script, the brush strokes are quick and powerful while the ink dark and eye-catching.
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
