石渠寶笈三編(延春閣),第四冊,頁1545&*故宮書畫錄(卷八),第四冊,頁62&*故宮書畫圖錄,第三冊,頁249-250 &*主山聳立右側,雙松自峭壁蟠伸而出,松間節屋,一人傍石欄焚香鼓琴,對岸江渚閣樓隱現。 本幅無作者款印,舊傳為宋人之作。坡石雖用斧劈皴法,佈局雖有半邊斜角用意,然而筆致粗放,墨調拙僵,全幅刻板沉滯,不類宋代風貌。或是晚明浙派亞流作品,也有可能是異國畫者仿習之作。&*The verticality of a solitary peak continues from two pines below as they twist from their foreground cliffsite. Below is a pavilion with a balcony, where a scholar sits playing a lute at a table with incense. Buildings are on the opposite shore. Though this painting has neither seal nor signature of the artist, it has been attributed to a Sung artist. Though the landscape forms are rendered with axe-cut texture strokes and the composition weighted to one side as in Southern Sung works, the brushwork is coarser and use of ink less refined to suggest a stiffer feeling. It perhaps is a lesser work of the Che Schools and may even be an imitation done by a foreign artist.