故宮書畫錄(卷五),第三冊,頁104-105&*石渠寶笈三編(清乾宮),第一冊,頁501&*故宮書畫圖錄,第二冊,頁203-204&*1.〈傳宋夏珪雪屐探梅圖〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北:國立故宮博物院,2008年初版一刷),頁175。 &* 畫踏雪尋梅詩意。主景為梅樹一株,枝椏四出,朵朵白花枝頭綻放。樹旁高士攜杖靜賞,抱琴童僕,手指梅花,轉首語告主人。全幅群山為雪所覆,寒氣襲人。畫中用筆刻露,無款印,屬後人摹習夏圭畫風之作。 夏珪(活動於西元一一八○─一二三○年前後),字禹玉,錢塘人。南宋寧宗、理宗時任職畫院。擅畫山水、人物,與馬遠齊名,時稱「馬夏」。 &* The branches of a large plum tree dotted with blossoms occupies the central focal point of the landscape. The scholar with staff stops to appreciate the fragrance as the young servant with a lute points to the blossoms and turns to talk to him. A pervading chill issues forth from the snow-covered mountains. This unsigned painting done with an exposed brush tip probably was executed by a later artist working in the style of Hsia Kuei. Hsia Kuei was a native of Hangchow who served as a painter at the courts of Ning-tsung and Li-tsung. Specializing in landscapes and figures, he was equally as famous as Ma Yüan, and they were known as “Ma-Hsia.”