清鄒元斗花卉 冊 梅
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- 資料識別：
- 故畫003211N000000002
- 資料類型：
- 繪畫
- 著作者：
- 鄒元斗
- 主題與關鍵字：
- 梅（白．紅．蠟梅）
- 麻雀
- 格式：
- 本幅 26x19.8公分
- 全幅 35.3x49.5公分
- 關聯：
- 故宮書畫錄（卷八），第四冊，頁143
- 故宮書畫圖錄，第二十四冊，頁208-211
- 鄒元斗，生死年都不詳，康熙年間，婁縣（今江蘇松江）人，後入贅周家，乃遷居常熟。字少微，別號春谷，又號林屋山人。因擅長繪畫，被徵入當時畫院當供奉，得拜畫院花鳥畫名家蔣廷錫為師，學習繪畫外，又能做詩與書法。 他的畫也是以花鳥為特長，他的花鳥雖然學自蔣廷錫，但是能摒棄蔣廷錫穠艷的外衣，同時又注重用筆，線條勁活有力，題材多從實物寫生，兼得天趣與物趣，所以，畫面較乃師更為有生氣，圖中景物有脫紙而出之感。
- Tsou Yüan-tou (tzu Shao-wei, hao Ch’un-ku and Lin-wu shan-jen) was active during the K’ang-hsi period (1662-1722). He was a native of Sung-chiang in Kiangsu but after marriage lived with his wife’s family in Ch’ang-shu. Because of his talent for painting he was summoned to enter the imperial painting academy, where the famous painter Chiang T’ing-hsi taught him the academy style of bird and flower painting. He also practiced calligraphy and poetry. Tsou Yüan-tou made bird and flower painting his speciality, and although he began to paint as a student of Chiang T’ing-hsi, he was able to cast off the sensual use of color of the latter and concentrate on brush technique, so that there is strength in the delicacy of his paintings. He also observed objects in nature and sketched them from life, so that his paintings capture both the spiritual and mortal aspects of his subjects. Thus his paintings are more lifelike than those of his teacher, and the subjects seem ready to leave the paper and come to life.
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- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
