石渠寶笈三編(乾清宮),第二冊,頁642-645&*故宮書畫錄(卷八),第四冊,頁153&*故宮書畫圖錄,第二十四冊,頁326-331&* 唐岱(西元一六七三-一七五二年尚在),滿州人。字毓東,號靜巖,又號 知生、默莊。畫山水師法王原祁,官 內務府總管,以畫祇候內廷,康熙賜 「畫狀元」。 本冊右幅由時年七十三的唐岱在乾隆十一年承旨所作,或水墨或設色,倣畫二十四家山水。從唐代李家父子始,至元代曹知白為末。左幅由嵇璜行楷書,介紹此二十四位山水名家的字號、師承、畫風特色,並加以品評。(20100104)&* Tang Dai (style name Yudong; sobriquets Jing-yan, Zhisheng, Mozhuang) was a Manchu supervisor of the Imperial Household. As a landscape painter he followed Wang Yuanqi’s style. Also a painter-in-attendance at court, the Kangxi Emperor called him “First in Painting.” The right leaves of this album were done by Tang under imperial command in 1746 at the age of 73. The 24 landscapes imitating ancient styles are either in ink and colors or in ink only. Starting with the blue-and-green Tang dynasty styles of Li Sixun and Li Zhaodao, they end with Cao Zhibo of the Yuan dynasty. The left leaves were calligraphed by Ji Huang (1711-1794) in regular script, providing the names, heritage, stylistic features, and critiques of these 24 landscape masters of old.(20100104)&*1.張華芝,〈院藏巨幅畫冊 — 墨妙珠林(下)〉,《故宮文物月刊》,第317期(2009年8月),頁110-121。