清赫奕晴嵐晚翠 軸
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- 資料識別：
- 故畫002381N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 赫奕
- 主題與關鍵字：
- 楊柳 橋 房舍 松 溪澗、湍泉
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 99.2x51.2公分、全幅 60公分
- 關聯：
- 石渠寶笈初編（養心殿），上冊，頁672&*故宮書畫錄（卷八），第四冊，頁92&*故宮書畫圖錄，第十冊，頁53-54&* 作者赫奕，一作赫頤，生死時年不詳，康熙間滿洲人。別號澹士。善畫山水，為王原祁弟子，但作品於師法外，尚能參考前人，不落時習。如本幅畫山石，主要採取「米家雲山」畫法，不用多皴，而以濃淡墨點重叠破染，是故積墨蒼鬱，筆蹤混化，特別能夠表現出那種空氣濕潤、雲氣氳氤中，峰巒渾厚，遠近景物分明的情致。&* In this painting Ho I has carefully followed the manner of the Sung dynasty artist Mi Fu in describing the mountains and rocks. He has used texture-strokes only sparingly, but has employed various tonalities of ink and repeated layers of dots to create a sense of surface texture, thus achieving an ample accumulation of ink. His brushstrokes are complex and represent especially well a moist, airy atmosphere. Ridges and peaks are massive and grand, and a sense of distant and near views is clearly transmitted. The painter Ho I was a Manchurian by birth; although the exact dates of his birth and death remain uncertain, he is known to have been active during the K’ang-hsi reign period (1662-1722). A disciple of Wang Yüan-ch’i, he excelled in painting landscapes. In addition to the works of his teacher, he also studied the works of former masters, yet he never adopted the mannerisms of his day.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
