宋勾龍爽山水 軸
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- 資料識別：
- 故畫000065N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 勾龍爽
- 主題與關鍵字：
- 瀑布 高士（士人、隱士） 竹 帆船 亭 漁夫、船夫 溪澗、湍泉 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 40.8x29.7公分、全幅 57公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1395&*故宮書畫錄（卷五），第三冊，頁60-61&*故宮書畫圖錄，第一冊，頁261-262&*勾龍爽，神宗時（西元一０六七至一０八五年）為圖畫院祇候，蜀（四川）人。好丹青，善作古人物，其狀質野。觀之如鼎彝間見三代以前篆書，便覺近習為凡陋。工畫佛道人物，善為古體衣冠，精裁緻密，為一代奇筆。畫中二僧，前捧經卷，後持鍚杖。按佛教來自印度，故僧像帶有異國人物造形，所謂胡貌梵相，具羅漢特色。畫家更常賦與不食人間煙火情態，因此，清、奇、古、怪每多出於畫面，本幅亦作如此手法。此畫為黃君璧先生捐贈。 &*Kou Lung-shuang was a native of Shu (Szechwan) and achieved the rank of chih-hou (Usher) in the Painting Academy during the reign of the Emperor Shen-tsung (r. 1067-1085). He excelled at depicting figures that appear archaic and uncultivated. Gazing at them is like looking at the archaic beauty of seal-style script on ancient bronzes, making one feel that contemporary styles are inferior. Kou Lung-shuang excelled at painting Buddhist and Taoist figures; particularly archaic-1ooking bodies, clothes, and crowns, which all appear as if incised and tightly knit. In this painting are two monks; the one in front holds a sutra and the other carries a tin staff. Buddhism came to China from India, so it is not surprising to see these monks as non-native Chinese. The so-called " Cental Asian and Indian appearances" are special features of lohans. Painters often bestowed upon them an air of reclusion. As a result, the purity, eccentricism, archaism, and peculiarity of lohans were repatedly depicted in paintings such as this. This painting was donated to the Museum by Mr. Huang Chun-pi.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
