宋馬遠畫王羲之玩鵝圖 軸
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- 資料識別：
- 故畫001841N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 馬遠
- 主題與關鍵字：
- 侍從（侍女、童僕） 高士（士人、隱士） 欄杆 松 江河、湖海 竹 鵝 蓮荷
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 115.9x52.4公分、全幅 77公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1503&*故宮書畫錄（卷八），第四冊，頁58&*故宮書畫圖錄，第二冊，頁183-184&* 羲之頭戴折巾，手執六角扇，倚靠松樹，坐觀兩白鵝游泳於荷塘，旁有童子執拭巾。曲檻四周，芳草滿地。本幅無名款，舊題為馬遠所作，然人物衣紋，松樹鱗皮，近岸斧劈皴畫法，乃至色彩，均不同於馬遠。南宋馬遠、夏珪一系的畫風，於明代十五世紀時再度興盛，本幅顯現明代特徵。這是古代於無款書畫，定名往往用相關有名畫家來搭配。布局虛左實右，松樹蟠繞，羲之觀鵝，畫家用意頗能展現。&* Wang Hsi-chih sits wearing a folded cap and holding a six-sided fan as he leans on the trunk of a pine. He watches two white geese swimming in a lotus pond as a servant stands behind him. The winding railing is surrounded by grasses. Though this work bears no seal or signature of the artist, it has been attributed to Ma Yüan. The figures, clothing, bark, axe-cut texturing, and even the coloring all differ from those of Ma. The style of Ma Yüan and Hsia Kuei was revived in 15th-century Ming dynasty. This work reveals the style of this era. As shown here, anonymous works were often ascribed to the founders of the style they reveal. The artist here has captured the sense of space, the twisting pine, and visage of Wang studying geese.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
