清王鑑倣黃公望山水 軸
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- 資料識別：
- 故畫000694N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 王鑑
- 主題與關鍵字：
- 瀑布 耕織漁獵 篷舟 橋 房舍 臺閣 百姓 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 78.8x38.8公分、詩塘 24.3x38.8公分、全幅 62公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2155&*故宮書畫錄（卷五），第三冊，頁512&*故宮書畫圖錄，第十冊，頁87-88&*王鑑（西元一五九八－一六七七年）江蘇太倉人。字圓照，號湘碧，自稱染香庵主。王世貞之孫。仕至廉州知府。精通畫理，山水為清初四王之一。 清初「四王」頗好元人筆墨，而於黄公望尤為醉心，此幅全學一峰筆意，又是一例。畫中雲巒煙樹，野屋溪橋，全境真如右方邊綾王文治所跋，此畫得宿雨初收，曉煙未泮之意。 &* Wang Chien was a native of T’ai-ts’ang in Kiangsu province. His style name was Yüan-chao and his sobriquets included Hsiang-pi and Jan-hsiang anchu. He excelled in landscape painting and often worked in the manners of Tung Yüan, Chü-jan, and Huang Kung-wang. The Four Wangs of the early Ch’ing dynasty were devoted to the styles of the Yüan masters, particularly that of Huang Kung-wang (1269-1354). The scene of cloud-clustered mountains, misty trees, country cottages, and bridge represents the time when an overnight rain has just stopped and the dawn haze is about to clear. This is a good example modeled after Huang’s style. &*1.陳昱全，〈清王鑑倣黃公望山水〉，收入何傳馨主編，《山水合璧：黃公望與富春山居圖特展》（臺北：國立故宮博物院，2011年五月初版一刷），頁343。 &*王鑑（1598-1677），江蘇太倉人。字元照，一字圓照，號湘碧，又號染香庵主。崇禎六年（1633）舉人，後仕至廉州太守，人稱王廉州。 此軸採三段式構圖，近景以岩塊堆壘組成，上方以高大樹叢連接中景主山，透過中央層層疊加、向後延伸的山體，在有限的畫幅中表現出全景山水的氣勢。用筆簡約，多以花青、藤黃、汁綠施染，僅以側筆乾擦部分山石，加以小橋、村屋、漁舟點綴其間，傳達出山間隱居生活悠然自適的情趣。 (20110609)&*Wang Jian (style name Yuanzhao; sobriquets Xiangbi, Ranxiang anzhu) was a native of Taicang in Jiangsu. A Provincial Graduate of 1633, he later went onto serve as Prefect of Lianzhou, which is why people called him “Wang Lianzhou.” This hanging scroll employs a three-stage composition. The foreground is composed of piled rocks, above which are lofty trees that connect with the main mountain scenery in the middleground. The layering in the center forms a mountain receding back to express the momentum of a complete landscape within a painting of limited space. The brushwork is succinct with washes of cyanine blue, rattan yellow, and vegetable green as only slanted dry brushwork renders some of the rocks. The addition of bridge, village, and fishing boat motifs scattered here and there express a feeling of leisure content in a life of reclusion among the mountains. (20110609)
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
