清陳書畫荷花 軸
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連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫000773N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陳書
- 主題與關鍵字：
- 蓮荷
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 97.4x31.1公分、全幅 58公分
- 關聯：
- 石渠寶笈續編（重華宮），第三冊，頁1752&*故宮書畫錄（卷五），第三冊，頁560&*故宮書畫圖錄，第十一冊，頁205-206&*1.張華芝，〈陳書畫荷花〉，收入劉芳如、張華芝主編，《群芳譜 — 女性的形象與才藝》（臺北：國立故宮博物院，2003年初版一刷），頁192。 &*陳書（西元一六六0－一七三六年），浙江秀水人。號上元弟子，晚號南樓老人。適嘉興錢綸光，後因長子錢陳群居官顯貴，受誥封為太淑人。善作山水、花鳥、草蟲、人物。本幅畫荷塘一隅，自題「摹家白陽（陳淳）」，筆不若陳淳之縱橫豪放，但瀟灑靈秀而有韻致。&*Ch'en Shu was a native of Chekiang. She was the mother of Ch'ien jCh'en-ch'un, who later served as high official under the Ch'ien-lung emperor (r. 1736-1795). Due to her son's rank, she was awarded the title "Great Virtue." She was also a talented painter of landscapes, figures, birds-and-flowers, and insects-and-grasses in her own right. Depicting the corner of a lotus pond, lotuses and reeds rise up as a bird rests on a lotus pod below. Ch'en Shu mentioned that she had painted in the style of the Ming artist Ch'en Ch'un. Although her handling of ink lacks the vigor of Ch'en Ch'un's brushwork, her work here is nevertheless imbued with fluency and a sense of consummate grace.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
