宋人漁父圖 軸
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫000187N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 主題與關鍵字：
- 冬景（雪景） 漁夫、船夫 雁 篷舟 耕織漁獵 蘆葦 江河、湖海 鴨．鳧
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 105.4x53.5公分、全幅 90公分
- 關聯：
- 開闊無涯的江面，煙霧瀰漫，寒氣逼人。蘆葦環繞汀渚，野雁幾隻點綴其間，另則淩空與遊於江上者相呼應，為冷寂的江面憑添生意。江畔漁夫坐草篷中，雙手交叉胸前，彎腰縮頸，不勝寒冷地望著水面，期待著有魚上網，神態十分生動。 本幅佈局行筆簡潔，意境古雅寧靜，與院藏宋燕文貴「寒浦漁罾」同一構圖，以本幅之筆墨較勝一籌，惟仍屬元明之際所作。&*A river bank extends deep into the distance as mist permeates the cold winter scene. The bank includes clumps of withered reeds with wild geese. The geese in flight approaching those on the bank add a touch of life to an otherwise desolate scene. A fisherman sits huddled below a thatched awning as he hunches over to ward off the cold. He stares out as he waits with his fishing net in the water. The simple composition and refined brushwork here have a serene elegance to them. The same composition appears in the Museum's Fishing inWinter by Yen Wen-kuei. The brushwork in this work, however, appears superior, but it still may have done as late as theYüan or Ming dynasty.&*此圖描寫雪景人物。漁夫坐於草篷之下，兩手交叉胸前，彎腰縮頸，似不禁寒。兩眼注視水面，期待架於岸邊的網罟，有魚上網。人物神態刻劃生動逼。 對岸河面開闊無涯，煙霧瀰漫，寒氣逼人。河畔枯蘆蓑葦環繞，野雁幾隻點綴著汀渚，另有一群翔空而去，與游於河面者互相呼應，為冷寂的河面增添生意。整幅行筆簡潔，而意境古雅寧靜。作者運用敷粉法，將白粉置於坡石葦草上，烘托出冬日蕭瑟的氣氛。&*This painting is of a Snowscape with a figure. A fisherman is sitting below a thatched awning with his hands crossed in front of his chest, bending over at the waist, and hunching his shoulders as if to ward off the cold. His eyes are fixed on the surface of the water, and he waits by his net suspended from the shore hoping fish get trapped in the net. The pose of the figure is vivid, lively, and life-like. The opposite bank of the river extends infinitely into the distance. Mist and fog permeate the scene, and the cold atmosphere is compelling. By the shore are clumps of withered reeds and several wild geese dot the distant bank. Another flock of geese is flying in the skies, thus balancing the composition. They add liveliness to an otherwise cold and desolate riverbank. The brushwork in this painting is simple and pure, being filled with the idea of classic elegance and tranquility. The artist has applied the powder method, using white power on the slope and reeds to impart the atmosphere of a desolate winter day.&*故宮書畫錄（卷五），第三冊，頁143-144&*故宮書畫圖錄，第三冊，頁93-94
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
