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- 資料識別：
- 故畫002883N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 方琮
- 主題與關鍵字：
- 松 寒林．枯樹 橋 房舍 秋景 楊柳 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 72.9x40.6公分、全幅 60公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2463&*故宮書畫錄（卷八），第四冊，頁128&*故宮書畫圖錄，第十四冊，頁155-156&*方琮，字黃山，生死時年籍貫皆不詳，以署款和畫風推測，疑為乾隆朝畫院中人。能畫山水，畫史稱他宗法元黄公望，但以作品面貌看，畫法接近李世倬、方土庶一路，學的都是王原祁渴筆乾皴法，而且山石分面和堆砌，又彷彿近似倪雲林，畫面充滿一片荒寒蕭瑟的氣氛。&* No details of the life of Fang Ts’ung (style name Huang-shan) have been recorded. Judging from the style of his paintings and the way in which they are signed, Fang was possibly a painter in the Imperial Painting Academy during the reign of the Ch’ien-ling emperor (1736-1796). Painting histories state that Fang Ts’ung’s landscape style was derived from that of the Yüan master Huang Kung-wang; however, his surviving paintings reveal a closer relationship to his contemporaries Li Shih-cho and Fang Shih-shu. All there employed a style clearly evolved from the dry-brush texture stroke methods of the early 18th century painter Wang Yüan-ch’i. Furthermore, the methods of massing and faceting the surfaces of rocks and mountains rather resemble the style of Ni Tsan of the Yüan, inbuing the finished work with a barren, cold, and mournful air.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
