宋郭熙山莊高逸 軸

宋郭熙山莊高逸 軸

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後設資料

資料識別:
故畫000829N000000000
資料類型:
類型:繪畫
型式:靜態圖像
著作者:
郭熙
主題與關鍵字:
溪澗、湍泉 瀑布 行旅 茅草屋 寺廟 亭 文玩(琴棋書畫) 山徑 江河、湖海 漁夫、船夫 百姓 寒林.枯樹 馬 店舖 塔 橋 侍從(侍女、童僕) 騾.驢 漁船 高士(士人、隱士) 狗 傢俱(屏風)
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 188.8x109.1公分、全幅 145公分
關聯:
故宮書畫錄(卷五),第三冊,頁53 &*故宮書畫圖錄,第一冊,頁219&*1.許郭璜,〈明人山莊高逸〉,收入《李郭山水畫系特展》(臺北:國立故宮博物院,1999年初版),頁85-88。 2.〈傳宋郭熙山莊高逸(明李在)〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北:國立故宮博物院,2008年初版一刷),頁172。 &* 畫山中酒店旅客聚集,老翁悠然鼓琴,另有行旅渡船者,畫中人物的生活片段與自然山水及樓閣茅舍亭橋緊密結合,顯出熱鬧的氣氛。 本幅舊傳為郭熙之作,以畫風論已入明際。近代學者研究認為是出於李在手筆。李在,字以政,莆田人,宣德(一四二六-一四三五)時與戴進、周文靖等同待詔直仁智殿,畫山水學郭熙及馬遠、夏珪。 &*This work depicts a shop in the middleground where travelers have gathered. In the foreground is a hermitage to which figures approach and where a scholar plays the zither. Two figures are about to cross the bridge and another two are on a boat. The middle-and background are punctuated by various buildings, including a pagoda. The activities of the figures, the natural landscape, and the buildings are all coordinated to create a busy yet relaxing atmosphere. The unbridled brushwork reflects that of the Che School in the Ming dynasty, indicating that the signature of Kuo Hsi is a later addition. Kuo Hsi, a native of Honan, was a court painter whose theory on landscape became the foundation for Chinese landscape painting. &*郭熙(西元11世紀),河南溫縣人,宋神宗為宋畫院學藝。畫山水寒林,巧為構思經營,因此位置淵深。雖然學李成的作風,但也能自放胸壑。著有山水畫論一書,論遠近淺深,風雨晦明,及四季朝暮的變化,可為後世學畫的規式。 畫山中酒店旅客聚集;山莊老翁,悠然鼓琴。側房一人,正在讀書。山道上老者二人、童子一人緩緩而來。遠處行旅騎驢過橋。山莊形勢環山抱水,景色繁複而不亂,是幅佳作。&*Kuo Hsi, a native of Wen-hsien, Honan, served as an artist-in-apprenticeship in the Imperial Academy of Painting under the emperor Shen-tsung (r. 1068-1086). The superb compostion and arrangement of his landscapes and winter forests lend them great depth of space. Although heavily influenced by Li Ch’eng, he nevertheless had his own style. Kuo Hsi authored a book on landscape painting that discussed such themes as distance, depth, wind and rain, light and shadow, and the changes of night and day and of the four seasons. This painting depicts a wine shop in the mountains where travelers are gathered. In the mountain hermitage, an old scholar leisurely plays his lute; another figure is studying in a side room. Two old men on the mountain path are slowly followed by a servant boy, while father in the distance a traveler astride a donkey crosses a bridge. The terrain consists of a circle of mountains enfolding a stream of water. The scenery of this masterpiece is complex without appearing cluttered.
管理權:
國立故宮博物院

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