五代南唐巨然溪山林藪圖 軸
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- 資料識別：
- 故畫000822N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 巨然（Juran）
- 主題與關鍵字：
- 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 221.3x119.7公分、詩塘 24.1x121.8公分、全幅 135公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2652&*故宮書畫錄（卷五），第三冊，頁24-25&*故宮書畫圖錄，第一冊，頁95&*1.傅申，〈巨然存世畫蹟之比較研究〉，《故宮季刊》，第二第二期（1967年十月)，51-79。 2.石慢，李慧淑譯，〈江參及十二世紀山水畫之在評介 — 「千里江山圖」及「溪山林藪圖」〉，《故宮學術季刊》，第三卷第一期（1985年秋），頁83-100。 &*本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。巨然（十世紀），南唐鍾陵人，為開元寺僧。南唐亡（九七五年），隨李後主煜降宋，至汴梁。工畫山水，師事董源。善狀煙嵐景象，臻於妙境，與師齊名，並稱董巨。 &*In this work of lush woods and hills, streams winding through ravines stretch into the distance. Texture strokes for the hills were done with moist washes and strokes so that light and shadow merge. Outlines also appear vague, especially where the mists swirl around the mountains. This work bears no signature or seal of the artist but was attributed to Chü-jan. The use of the brush and ink, however, is closer to that of Chiang Shen (fl. early 12th c.). Chü-jan was a monk at the K'ai-yüan Temple. With the fall of the Southern T'ang in 975, he submitted to the Sung. He specialized in landscapes, studying under Tung Yüan. He excelled at visions of grandeur and mist. Achieving as much fame as his teacher, they became known as "Tung and Chü". &*本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。 巨然（十世紀），南唐鍾陵人，為開元寺僧。南唐亡（九七五年），隨李後主煜降宋，至汴梁。工畫山水，師事董源。善狀煙嵐景象，臻於妙境，與師齊名，並稱董巨。 (20120102)&*This work depicts clustered peaks with forest-filled streams and valleys. The texture-stroked hills feature wet brushwork to create broken washes that suggest brightness here and there. Vague outlines with much mist and haze fill the scenery. This work has no seal or signature of the artist, the old label ascribing it to Juran. The brush and ink, though, appear closer to the style of Jiang Shen (fl. early 12th c.). Juran, a native of Zhongling, was a monk at Kaiyuan Temple. When his state fell in 975, he followed its leader Li Houzhu (Yu) in surrendering to the Song, moving to the Song capital of Bianliang. Juran, good at painting landscapes and studying under Dong Yuan, excelled at visions of grandeur and mist. As famous as his teacher, they were known together as "Dong-Ju." (20120102)&*本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。 巨然（10世紀）、南唐鍾陵の人、開元寺僧侶。南唐滅亡後（975年）、李後主（李煜）に随い、宋が滅びると卞京に移った。山水画を善くし、董源に師事した。雲霧の立ち込める風景画を得意とした。その画技は妙境に達し、師とともに「董巨」と並び称された。 (20120102)
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
