石渠寶笈續編(御書房),第四冊,頁2106&*故宮書畫錄(卷五),第三冊,頁563&*故宮書畫圖錄,第十一冊,頁335-336&*1.何傳馨,〈清方士庶仿董源夏山煙靄圖〉,收入何傳馨、許郭璜編,《夏景山水畫特展圖錄》(臺北:國立故宮博物院,1991年七月初版),頁109。 &*方士庶(西元一六九二-一七五一年),歙縣人。家維揚,字循遠,號環山,又號小師道人。山水受學於黃鼎,落筆蒼秀,動依古法。 此幅倣董源夏山煙靄。原為橫卷,而此幀改為直幅。凡山巒洲渚,用筆造形,皆能於平澹中見其精粹,深得董源之精神。作者時年四十六歲。&*Fang Shih-shu, originally a native of She-hsien in Anhwei, studied landscape painting under Huang Ting (1660-1730) and worked much in the style of the old masters. This painting was originally modeled after a handscroll by Tung Yüan (fl.957-975) entitled “Mist Over Summer Mountains,” but here the composition has been altered to suit the vertical hanging scroll format. The landscape is true to the style of the early master Tung Yüan. The brushwork and rendering of the forms for the mountains, bluffs, and sandy banks reveal a fundamental beauty in a most common and simple appearance. This work was done in 1737, when the artist was 45-years-old.