明侯懋功倣元人筆意 軸
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- 資料識別：
- 故畫000608N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 侯懋功
- 主題與關鍵字：
- 行旅 寒林．枯樹 籬笆、圍牆 橋 房舍 松 樵夫 瀑布 山徑 石磴、棧道 江河、湖海 高士（士人、隱士）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 112.3x34.9公分、全幅 64公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1133&*故宮書畫錄（卷五），第三冊，頁451-452&*故宮書畫圖錄，第八冊，頁123-124&* 侯懋功（生卒年不詳），嘉靖、萬曆（西元一五二二至一六二○年）年間吳縣（江蘇蘇州）人。字延賞，號夷門。山水師錢穀，受法於文徵明，後宗黃公望、王蒙，入元人之格，為世所珍。 本幅畫溪澗岡巒，山徑、棧道蜿蜒，上通村舍。幅上董其昌題云：「侯山人夷門畫有元季名家風致，此其合作者」。指此不但為侯氏佳作，且有黃公望、王蒙之遺意。若就其構圖與山石樹木之造型、用筆觀之，仍顯見文徵明之影響。 &* Very little is known about Hou Mou-Kung. He was a native of Wu-hsien (modern Soochow); his birth and death dates are unknown. His style name was yen-shang and his sobriquet was I-men. He studied landscape painting from Ch’ien Ku (1508-1578) and was in turn influenced by Ch’ien’s teacher Wen Cheng-ming. He later turned to the styles of Huang Kung-wang and Wang Meng. His work reflects the character of these two Yuan masters. This painting depicts a stream among peaks and ridges and villagers travelling along the cliff-side roads. An inscription by Tung Ch’i-ch’ang states: “In the painting Hou Shan-jen I-men has the manner of the Yuan masters, and this is truly one of his masterpieces.” Although this work is reminiscent of Wang Meng and Huang Kung-wang, the composition and the shapes of the mountains and trees, as well as the brushwork show the influence of Wen Cheng-ming.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
