唐孫過庭書孝經 冊
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故書000142N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 孫過庭
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 25.2x13.4公分、後副葉 25.2x13.4公分、全幅 34.5x38.8公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈初編（養心殿），上冊，頁482&*故宮書畫錄（卷三），第一冊，頁4&*草書孝經，孝經中「敬」字均改書為「欽」字，此係避宋太祖之諱。後有祝允明跋，謂為孫過庭（虔禮）之作。 此冊破損數處，依祝氏跋謂曾為此冊補筆。&*This scroll reproduces the Hsiao-ching (Classic of Filial Piety) in ts'ao-shu (draft script). The scroll is damaged in several places and Chü Yüan-ming informs us, in his colophon, that he has retouched these areas.&*Sun Ch'ien-li (fl. 685-687) came from Ch'en-liou. His style-name was Kuo-t'ing. He served as a Recorder in the Shuai-fu. He was a man of wide culture, being an excellent essayist and poet. His cursive script captured the essence of Wang Hsi-chih and Wang Hsien-chih. Mi Fei stated that of all the T'ang calligraphers who imitated the work of the two Wangs, none could compare in understanding with Sun Ch'ien-li. He has been admired for his command of the brush with its sweeping strokes, bard and clearly delineated. The present piece is an essay on calligraphy. Containing as it does many penetrating remarks on the art of calligraphy, it is clear that the writer's hadn is expressing the writer's heart. No calligrapher who did not fully understand his craft could have written this piece. Throughout the scroll the brush moves vigorously in all directions with clear, rich ink. It has an airy, untrammelled ease, combining the grace of a young girl with the strength of a hero. At the beginning of the scroll, the brushwork is still somewhat obvious but, as the writer warms to his task, it becomes more and more difficult to discern the movements of his brush. &*此草書冊傳為唐孫過庭所書，但與其傳世名蹟〈書譜〉風格不同。冊中「敬」字皆以「欽」字替代，應是避宋太祖祖父趙敬之名諱。祝允明（1460-1526）跋中稱此為孫過庭所作，且與晉人書風無異，他也補書了破損處的闕文。歷代無款書蹟很多，品質較佳的往往被冠上名家頭銜，有些在風格上有所淵源，有些則毫無關係。流傳的過程中，這兩類的作品都代表書家本人，不斷地發揮作用，有時它們的影響力甚至會超過真蹟。&* This album of cursive script has been attributed to the T'ang calligrapher Sun Kuo-t'ing, but the style differs from that seen in his renowned masterpiece "Essay on Calligraphy" also in the Museum collection. In this album, all the characters for ching 敬 (respect) have been substituted with ch'in 欽 (reverence), probably to avoid the taboo character in the name of Chao Ching 趙敬, the grandfather of the Sung emperor T'ai-tsu. Chu Yün-ming (1460-1526) in his colophon to this work refers to it as having been done by Sun Kuo-t'ing and being no different in style from those of Chin dynasty calligraphers. He also added in areas of the text that had been damaged. In the history of calligraphy are many anonymous works, and often the better pieces are adorned with the names of famous ancient calligraphers to give them prestige. Sometimes the name attached matches the style present, but in other cases there is little relation between the two. In the actual process of calligraphic transmission, these two types of works both represent the art and are constant forces at work, sometimes even having greater influence than actual authentic works of calligraphy.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
