元人雜書 卷 袁桷呈承旨大參相公尺牘

元人雜書 卷 袁桷呈承旨大參相公尺牘

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資料識別:
故書000134N000000004
資料類型:
類型:書法
型式:文字
著作者:
袁桷
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 30.5x67.8公分
語言:
漢文
關聯:
石渠寶笈三編(延春閣),第六冊,頁2698&*故宮書畫錄(卷一),第一冊,頁148-152&*袁桷(西元一二六六-一三二七年),慶元人,字伯長。舉茂才異等,起為麗澤書院山長。後以博學陞應奉翰林文字,兼國史院編修官,拜集賢直學士,遷侍講學士。朝廷制冊、勳臣碑銘,多出其手。著有﹝清容居士集﹞、﹝易說﹞、﹝春秋說﹞等,卒封陳留郡公,諡文清。書史謂袁桷書從晉唐中來,而自成一家。 本幅尺牘,筆法快利,筆力沉頓,豎筆斜戈多往右下傾側,字勢則向右上揚起,似受蘇軾書風影響。&*Yuan Chueh (style name Po-ch'ang) was a native of Ch'ing-yuan. Because he was an extraordinarily talented person, Yuan was recommended to be the Dean of the Li-tse Academy. Later, because of his erudition, he was promoted to be a Provisioner of the Hanlin Academy and Concurrent Junior Compiler of the Historiography Institute. He was then appointed as an Auxiliary in the Academy of Scholarly Worthies and later transferred to the post of Expositor-in-Waiting. He was also enfeoffed as Duke of Ch'en-liu and given the posthumous title Wen-ch'ing. Calligraphy histories record that Yuan's style developed from the styles of the Chin (265-420) and T'ang (618-906) dynasties. The brush method used to execute this letter was swift and sharp, and the strength of the brush was heavy. Many of the perpendicular and downward strokes often slant to the lower right, and the characters seem to slant up to the right. The style of this work seems to demonstrate the influence of Su Shih (1036-1101)
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國立故宮博物院

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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061

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