披薰集古 冊 明丁雲鵬太極真隱

披薰集古 冊 明丁雲鵬太極真隱

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後設資料

資料識別:
故畫003499N000000012
資料類型:
繪畫
著作者:
丁雲鵬
主題與關鍵字:
山徑
房舍
寺廟
籬笆、圍牆
格式:
本幅 18.1 x 54公分
全幅 34.6x65.4公分
關聯:
故宮書畫錄(卷八),第四冊,頁162
丁雲鵬(西元一五四七年生,一六二八年尚存),安徽休寧人。字南羽,號聖華居士。善道釋人物,白描酷似李公麟。山水雜畫亦十分精妙,為晚明大家。  本幅為「披薰集古」冊第十二開。山巒群集,塔觀錯落。此作筆意高古,墨氣渾樸,設色淡雅,通幅靜穆之韻,使人為之神駐也。幅上款題云:「太極真隱。己丑夏日,晚學丁雲鵬寫。」故知此幀為丁氏西元一五八九年之作,時年四十三歲。
Ting Yün-p'eng (style name Nan-yu; sobriquet Sheng-hua chü-shih) was a native of Hsiu-ning, Anhwei. He excelled at painting Taoist and Buddhist figures and his pai-miao (plain outline) manner is much like that of Li Kung-lin (1041-1106). Ting Yün-p'eng's paintings of landscapes and other subjects are also exquisite and marvelous, making him a master of the late Ming dynasty. Scattered among a group of mountain peaks in this album leaf is an array of temple buildings. The brushwork is loftily archaic, the inkwork completely plain, and the coloring elegantly light; thus imparting a quietly majestic atmosphere throughout the painting and making the viewer spirtually moved. The inscription on the painting reads, "The True Mystery of the Absolute. Painted by the late comer, Ting Yün-p'eng, on a summer day in the i-ch'ou year [1589]." Ting thus did the work when he was 42-years-old.
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國立故宮博物院

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