名繪集珍 冊 宋閻次平松磴精廬
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- 資料識別：
- 故畫001243N000000006
- 資料類型：
- 繪畫
- 著作者：
- 閻次平
- 主題與關鍵字：
- 松
- 江河、湖海
- 竹
- 臺閣
- 房舍
- 山徑
- 蘆葦
- 藤蘿
- 欄杆
- 格式：
- 本幅 22.6x22.6公分
- 全幅 38.9x81公分
- 關聯：
- 故宮書畫錄（卷六），第四冊，頁208
- 閻次平（活動於十二世紀末），為閻仲之子。隆興（西元一一六三—一一六四年）初，因進圖畫稱旨，授將仕郎畫院祗候。善繪山水、人物及牛，風格與李唐略近。於紈扇式的畫幅中，寫湖中石磯林立，上築精舍，四週松竹環生，幅右石隙間，可見閻次平之小楷款書。通幅布局屬南宋習見之半邊式構圖，虛實相映下，益顯江天遼闊之致。本幅選自「名繪集珍」冊第六幅。
- Yen Tz'u-'ing was the son of the painter Yen Chung. In the Lung-hsing era (1163-1164), he presented a painting to the emperor and was rewarded with an appointment in the Imperial Painting Academy. Yen was noted for his renditions of landscapes, figures and oxen, his style emulating though not surpassing that of Li T'ang (ca. 1049-after 1130).This work, the sixth from the album Ming-hui chi-chen, was executed in the shape of a circular fan. The scene depicts a rocky promontory out in a lake, where a villa stands surrounded on all sides by pines and bamboo. On the right side of the composition, one may observe the artist's signature in standard script on a rock. The composition is in an asymmetrical format often found in the Southern Sung, in which solids and voids are often juxtaposed. Here, the concrete reality of the villa and trees is contrasted effectively with the void or vastness of the water and sky, thereby achieving the appearance of great distance within a limited space.
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- 國立故宮博物院
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