宋趙伯驌風檐展卷 冊頁
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- 資料識別：
- 故畫001240N000000008
- 資料類型：
- 繪畫
- 著作者：
- 趙伯驌
- 主題與關鍵字：
- 齋館
- 高士（士人、隱士）
- 侍從（侍女、童僕）
- 松
- 溪澗、湍泉
- 仕女
- 竹
- 藤蘿
- 橋
- 池水
- 欄杆
- 飲食器
- 傢俱（屏風）
- 文玩（琴棋書畫）
- 格式：
- 本幅 24.9x26.7公分
- 對幅 24.9x26.7公分
- 全幅 38.5x80公分
- 關聯：
- 石渠寶笈續編（重華宮），第三冊，頁1681
- 故宮書畫錄（卷六），第四冊，頁203
- 趙伯驌（西元1124─1182年），字希遠。善山水人物，界畫尤精。園中敞軒山巒環抱，庭院點景豐富，青松、小徑、曲檻、水池，配以林阜竹石，景物清幽。士人右手持羽扇坐於小榻上。後窗仕女二人，另有兩童執茗甌茶具行來。亭內塌上別設有憑几、小座屏風（枕屏），後有大畫屏。榻為如意足，座面為藤編織物。榻前擺設條桌，條桌兩腿足間有雙棖，上置書卷、膽瓶。敞軒一面壁上則懸置兩畫。畫中家具為典型宋代樣式，有學者懷疑此圖近似明代仇英之畫風，然尚無定論。
- Chao Po-su (style name Hsi-yüan) excelled at painting landscape, figures, and especially ruled-line subjects. In the middle of this garden scene is a pavilion surrounded by hills. The elements of a quiet and peaceful courtyard abound, including a pine tree, small path, curved railings, pond, and accompanying trees, bamboo, and rocks. Under the pine stands an open pavilion, in which a scholar sits on a small daybed. At the rear window are two servant girls as two other servants bring tea utensils.Sets on the mat in the pavilion are a learning table and a small standing screen (also known as a “bed screen”), and behind is a large painted screen. The platform has scepter-shaped legs and a woven mat. In front of the platform is a high, narrow table with corner legs and double stretchers between the legs. On this table are books, scrolls, and a bottle, while two paintings can be viewed suspended on the wall. Some scholars believe that the style of this painting resembles that of Ch'iu Ying (ca. 1494-1552), but this must await further research . The furniture in this painting, however, is typical of the Sung dynasty.
- 趙伯驌（西元一一二四—一一八二年）南宋畫家，宋太祖七世孫，善畫山水人物，尤精於花鳥、界畫。圖畫園林屋室，蒼松翠竹，湖石點綴其間，敞軒內一文士坐几榻上，意態悠閑，旁間仕女二人憑軒而立，庭前曲檻，二僮相互交談，白衣侍僮手執茶盤，上置黑漆茶托、茗甌以及茶瓶，朝向屋內行來。畫中為宋人生活形式，點茶、掛畫、插花、焚香宋代生活四藝，於此呈現無遺。
- Chao Po-su was a Southern Sung painter and the seventh-generation descendant of Emperor T'ai-tsu. He excelled at landscapes and figures, especially birds-and-flowers and ruled-line subjects.In this work is a building in a garden setting with ornamental rocks, craggy pines, and verdant bamboo. A scholar sits in the open building on a daybed in an elegant and leisurely manner. In the hall to the side stand two ladies. Two attendants are also engaged in conversation on a bridge in front of the garden. The one wearing white holds a tea dish with a black-lacquered tea saucer, tea bowl, and teapot as he heads for the building. Nothing is missing here from the four scholarly arts of leisure in the Sung-tea, painting, flowers, and incense.
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