石渠寶笈三編(延春閣),第四冊,頁2021&*故宮書畫錄(卷八),第四冊,頁85&*故宮書畫圖錄,第九冊,頁115-116&*1.何傳馨,〈明宋懋晉碧梧降暑圖〉,收入何傳馨、許郭璜編,《夏景山水畫特展圖錄》(臺北:國立故宮博物院,1991年七月初版),頁105-106。 &* 宋懋晉(活動於十六世紀後半至十七世紀前半)字明之,松江人。幼時即對繪畫有興趣,因此放棄舉業,專心學畫,勤於臨摹古蹟,後來從宋旭受業。長於山水、樓閣和寫松。 本幅畫窗前疏竹,橋畔垂楊,碧梧陰森,一人坐山房小憩,狀甚悠閒,柳岸蘆葦茂盛,葉莖傾斜,似有習習涼風吹入圍牆人家。 &* Sung Mou-chin (style name Ming-chih) was a native of Sungkiang. As a youth, he was interested in painting and , as a result, gave up his career in order to concentrate on the study of painting. He expended great efforts at copying ancient works, and later received instruction from Sung Hsü. Sung Mou-chin excelled at painting landscapes, buildings, and pines. In this painting, bamboo grow before a window, a bridge stretches before a weeping willow growing along a shore, and two verdant wu trees provide shade. A person leisurely sits in a mountain retreat in a quite relaxed manner. Reeds grow luxuriantly along the bank by the willow tree, the leaves and stems of both bending diagonally, as if being blown by a cool wind into the enclosure of the man.