墨林拔萃 冊 唐韋偃雙騎圖
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- 資料識別：
- 故畫001290N000000002
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 韋偃
- 主題與關鍵字：
- 馬 圉人 馬鞍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 31x44.5公分、對幅 30.9x44.6公分、全幅 83.5x61.6公分
- 關聯：
- 石渠寶笈續編（重華宮），第三冊，頁1687&*故宮書畫錄（卷六），第四冊，頁182&*韋偃，長安（今西安）人，居蜀。善畫鞍馬松石，雖傳之家學，然名過其父。所畫鞍馬，或騰或倚，或齕或飲，或驚或止皆曲盡其妙，宛然如真，所作松石更佳，咫尺千尋，駢柯攢影，宛轉極盤龍之狀，千枝萬葉，非經歲不成，杜甫曾有詩句讚頌其畫松與畫馬。 此幅設色畫人馬各二，並轡馳騁，幅左上方隸書題「唐貞觀年春韋偃畫」，畫法遒勁。圖繪雙騎奔馳之狀，人馬神完足，筆法墨色奇古，洵為佳構。 &*The artist has captured the spirit of both mounts and riders as they gallop across this painting, neck and neck. A superb composition, forcefully executed, the brushwork, ink, and coloring of this piece are singularly done. An inscription in the upper left reads "Painted in the spring of 627 by Wei Yen." Wei Yen was from ch'ang-an (present-day Sian) but lived in Szechwan. From a family of painters, he became more famous than his father. The horses he painted－whether prancing or resting, foraging or drinking, startled or calm－are masterfully rendered and are extremely lifelike. His paintings of pine trees and stones are even more remarkable and required much time to complete. Actually small but seemingly monumental, Tu Fu wrote several poems in praise of Wei Yen’s paintings of pines and horses. &*1.林柏亭、張華芝，〈唐韋偃雙騎圖〉，收入林柏亭、張華芝編，《畫馬名品特展圖錄》（臺北：國立故宮博物院，1990年元月初版），頁82。 2.本社，〈唐韋偃雙騎圖〉，《故宮文物月刊》，第30期（1985年9月），頁1。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
