宋元寶翰 冊 宋高宗書七言律詩
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- 資料識別：
- 故書000249N000000001
- 資料類型：
- 書法
- 著作者：
- 趙構
- 日期：
- TIME STAMP:09-1月 -06
- 格式：
- 本幅 27.1x48.7公分&邊幅 27.2x8.7公分&全幅 48.7x70.3公分
- 語言：
- 漢文
- 關聯：
- 故宮書畫錄（卷三），第一冊，頁221 &石渠寶笈初編（重華宮），下冊，頁710 &趙構(1107-1187)即宋高宗，書法家。宋徽宗趙佶之子。工正、行、草書，少即喜攬筆作字。筆法端雅醇厚、涵泳雋秀，蓋以得力於智永為多，又嘗深究本朝黃庭堅書，亦頗能得其神髓。自謂：「自魏晉以來，至六朝筆法，無不臨摹，眾體備於筆下，意簡猶存取捨。至若契帖，側之益深，擬之益嚴，以至成誦。」明代陶宗義《書史會要》稱：「高宗善真、行、草書，天縱其能，無不造妙。」著有《翰墨志》一卷，傳世墨迹有《草書洛神賦》、《正草千字文》《光明塔碑》等。傳本《顧愷之女史箴圖題字》、《褚遂良倪寬贊》等亦有指為構所書者。&宋高宗（西元1107-1187），涿郡人，名構，字德基，徽欽二宗為金人所擄，即位建康，是為南宋。高宗學養豐富，秉賦高超，對書法造詣亦佳，著有＜翰墨誌＞。此幅書杜甫七言律詩，選自「宋元寶翰」冊第一幅。高宗早年書法黃山谷，後改習二王，是幅字體均勻，結構圖活，章法疏朗，乃高宗本色書法，原書後方有趙吳興補圖，惜為後人剪去。宋朝書家，崇尚意趣，往往輕率下筆，任意著墨，將晉唐端嚴書風大肆更變，有識之士有鑑於此，紛紛改弦易轍，回歸傳統，高宗亦是其中之功臣也。&Emperor Kao-tsung(original name Chao Kou; style name Te-chi) was a native of Cho-chün. When the emperor Ch'in-tsung(r. 1126) and the retired emperor Hui-tsung (r.1101-1125) were captured by invading Chin troops, Kao-tsung ascended the throne in Chien-k'ang, establishing the Southern Sung in 1127. His breadth of learning was extensive and his prose unparalleled. Kao-tsung was also very gifted and educated in calligraphy, as revealed in his book Treatise on Calligraphy (Han-mo chih). This piece of calligraphy, the first leaf from Sung Yuan pao-han, is a poem by Tu Fu (712-770) in seven-character verse. In his early years, Kao-tsung studied the style of Huang T'ing-chien(1045-1105), later following those of Wang Hsi-chih(ca.307-365) and Wang Hsien-chih(344-386). The characters of this work are evenly spaced and sized, the composition of the characters round and lively, and the line separate and distinct, making this a typical example of Kao-tsung's calligraphy. Originally, the work had a painting by Chao Meng-fu attached afterwards; unfortunately, it was removed by a later collector. Sung calligraphers tended to express the ideas and write from the heart, representing a major shift from the upright style of Chin (265-419) and T'ang(618-907) calligraphy. Emperor Kao-tsung sought to revive these older traditions.&宋高宗（西元一一０七－一一八七年），趙構，南宋初代皇帝，以學養豐富，精鑒賞而稱世。書法始學黃庭堅，中葉改學米芾，後以臨摹二王追慕晉唐法書，造詣卓越，傳世作品可知其書風之變。 此幅書杜甫七言律詩，選自「宋元翰墨」冊第一幅。全篇字體均勻，結體圓活，章法疏朗，乃高宗本色書法，原書後方有趙吳興補圖，惜為後人剪去。 &Kao-tsung was the first Southern Sung emperor and known for erudition and connoisseurship. In calligraphy, he began studying the style of Huang T'ing-chien, but later turned to that of Mi Fu, and finally to that of the Two Wangs—returning to the essence of the Chin and T'ang. Writing many decrees, his stylistic changes are clearly seen. This work transcribes a 7-character regulated verse composed by the T'ang poet Tu Fu. It is the 1st leaf from Works by Sung and Yüan Calligraphers. Kao-tsung's study of the styles of Huang and the Two Wangs make for a balanced and rounded structure. The arrangement is open, typical for his style. This work once included a painting by Chao Meng-fu that was cut off at a later date.
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