石渠寶笈初編(御書房),下冊,頁899-900 &*故宮書畫錄(卷一),第一冊,頁47-48 &*蘇軾(西元1036─1101年),四川眉山人。字子瞻,自號東坡居士。官至端明殿大學士,卒諡文忠。蘇軾博通經史,工詩詞,善書畫,其文學藝術成就亙古少有。與父洵、弟轍世稱三蘇,名列唐宋八大家,又與黃庭堅、米芾、蔡襄並稱宋代四大書家。 東坡書法兼得二王、顏真卿、李邕、楊凝式之長,其書風充分流露瀟灑奔逸豪邁不羈的氣概。此卷文字意態豐腴,結體穩密,縱筆重,橫筆輕,撇戈筆劃,左伸而右縮,為蘇字特色,然章法整齊,筆力不足,疑為後世倣作。&*Su Shih(style name Tzu-chan; sobriquet Tung-p'o chü-shih)was a native of Mei-shan, Szechwan. He was given the posthumous title Wen-chung. Su was distinguished for his erudition on the classics and history, and he excelled in poetry, prose, painting, and calligraphy. He reached a high level of achievement in art. Su Shih has been known along with Huang T'ing-chien(1045-1105), Mi Fu(1051-1107),and Ts'ai Hsiang(1012-1069)as the Four Calligraphic Masters of the Sung Dynasty. Su's calligraphy combined the styles of Wang His-chih(307-365)and Wang Hsien-chih(344-388),Yen Chen-ch'ing(709-785), Li Yung(678-747), and Yang Ning-shih(873-957)and is filled with an unrestrained energy. The characters on this scroll are full and their structure firm and compact. Heavy vertical strokes contrast light horizontal strokes, and the strokes which descend to the left extend while those to the right contract. This is Su's special calligraphic feature. The composition, however, is too neatly arranged and the brushwork lacks Su's force. Thus, it is suspected that this is a later copy.&*1.王耀庭,〈宋蘇軾書歸去來辭〉,收入王耀庭編,《淵明逸致特展圖錄》(臺北:國立故宮博物院,1988年初版),頁112。 2.張光賓,〈故宮博物院收藏法書與碑帖〉,《故宮季刊》,第九卷第三期(1975年春),頁5-19。