明陳璧書五言古詩 軸
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- 資料識別：
- 故書000009N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 陳璧（Chen Bi）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 93x35.6公分、全幅 60.5公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1096&*故宮書畫錄（卷二），第一冊，頁5&*陳璧（活動於西元十四世紀後期），江蘇華亭人，字文東，號谷陽生。以文學知名，曾受教於楊維禎門下。善篆隸，真草流暢快健。洪武間（一三六八－一三九八）以秀才任解州判官，後調湖廣，學書者爭事之。其真書似歐陽詢，行草逼大令，草書用筆俱由懷素自敘帖流出。書史謂宋克遊松江時，文東曾從授筆法，然宋筆正鋒，而陳多偏鋒。本幅草書五言古詩，筆勢縈繞飛動，上接懷素，然行筆時出偏鋒，偶帶章草筆勢，流露出雲間書派之風格特色。&*Ch'en Pi (style name Wen-tung, sobriquet Ku-yang-sheng) was a native of Hua-t'ing, Kiangsu who was famous for his literary studies. He excelled in seal and clerical scripts, and his standard and cursive scripts are fluid and powerful. During the reign of the first Ming emperor (r. 1368-1398), he served as an assistant in Chieh-chou. Afterwards, he moved to Hu-kuang, and many vied to study calligraphy with him. His standard script was like that of Ou-yang Hsun, and his running cursive like that of Wang Hsien-chih. His cursive script also bears traces of influence from Huai-su's Autobiography. In histories, Ch'en Pi reputedly went to study under Sung K'o, but Sung K'o used a centered brush tip while Ch'en Pi held his brush on a slant. In this work, the brushstrokes twist with flying speed, a technique indebted to Huai-su. In his running script, Ch'en Pi tended to write more angular characters with a slanted brush tip, sometimes mixing in the style of draft cursive. This tendency to include draft crusive is one of the traits of calligraphers of the Yun-chien School.&*1.朱惠良，〈明陳璧書五言古詩〉，收入《雲間書派特展圖錄》（臺北：國立故宮博物院，1994年初版），頁117-118。 &*陳璧（活動於西元十四世紀後期），江蘇華亭人，字文東，號谷陽生。以文學知名，曾受教於楊維楨門下。善篆隸，真草流暢勁健。洪武間（一三六八－一三九八）以秀才任解州判官，後調湖廣，學書者爭事之。其楷書似歐陽詢，行草逼王獻之，草書用筆近於懷素。書史謂宋克遊松江時，陳璧曾從授筆法，然宋筆正鋒，而陳多偏鋒。本幅草書五言古詩，筆勢縈繞飛動，上接懷素，然行筆時出偏鋒，偶帶章草筆勢，流露出雲間書派之風格特色。(20110913)&*Chen Bi (style name Wendong, sobriquet Guyangsheng). a native of Huating in Jiangsu, was famous for his literary studies and once studied under Yang Weizhen. He excelled at seal and clerical script calligraphy, and his standard and cursive scripts were fluid and powerful. Under the first Ming emperor, Hongwu (r. 1368-1398), he was a Cultivated Talent and served as Administrative Assistant of Jiezhou. Afterwards, he was transferred to Huguang, and many vied to study calligraphy with him. His standard script was like that of Ouyang Xun, and his running cursive similar to Wang Xianzhi’s. Chen’s cursive script also bears traces of influence from Huaisu. In calligraphy history, Chen Bi reportedly went to study under Sung Ke while in Songjiang, but Song used a centered brush tip while Chen held his brush at a slant. In this work of cursive script, the brush force twists with flying speed, a technique that is indebted to Huaisu. And in the areas of running script, Chen Bi tended to write more angular characters with a slanted brush, sometimes mixing in draft cursive. This inclusion of draft cursive is one of the traits of Yunjian School calligraphers.(20110913)
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
