石渠寶笈初編(重華宮),下冊,頁712-714&*故宮書畫錄(卷三),第一冊,頁252-253&*故宮歷代法書全集,第十六冊,頁68-91、173-179&* 饒介(西元?-一三六七年),字介之,號華蓋山樵、醉樵、浮丘公童子。江西臨川人。歷任翰林應奉僉江浙廉訪司事、淮南行省參知政事。工詩文,長書法。饒介書遠師王獻之與懷素。史稱其草書飄逸似懷素,圓勁朗暢,神追王獻之。 本幅為〈元人法書〉第十四幅,用筆起伏多變化,在王獻之的行書風格中,又融入懷素的筆意。全作揮灑自如,氣脈酣暢,間雜章草筆法,益增古樸趣味。 (20110710)&* Rao Jie (style name Jiezhi, sobriquets Huagai shanqiao, Zuiqiao, Fuqiugong tongzi) was a native of Linchuan, Jiangxi. An Academician, he served as Jiang-Zhe Surveillance Commissioner and Secretariat of Huainan. Good at poetry and excelling at calligraphy, Rao looked back to the styles of Wang Xianzhi and Huaisu. In calligraphy history, his graceful cursive script is compared to Huaisu’s with round and powerful flow that harks to Wang Xianzhi. In this, the 14th leaf from “Yuan Calligraphy,” are many variations to the undulated brushwork. Into Wang Xianzhi’s running script style has been added the brush manner of Huaisu. The entire work waves with ease and pulsates with fluidity, the draft cursive added here and there giving it an archaic taste.(20110710)