明鄭重十八應真像 冊 應真像（九）
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- 資料識別：
- 故畫001299N000000009
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 鄭重
- 主題與關鍵字：
- 雲 羅漢（應真、尊者） 龍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 28.5x22.8公分、全幅 41.2x61.7公分
- 關聯：
- 故宮書畫錄（卷六），第四冊，頁86&*鄭重（活動於西元十七世紀上半葉），字千里，安徽歙縣人，流寓金陵（今南京）。好樓居，日事香茗，善寫佛像，必參沐而後舉筆。丁雲鵬推為趙伯駒後身，亦畫山水小景，摹仿宋體制，均甚精妙。 此幅是「十八應真像」之第九開。應真即阿羅漢，乃智慧與真理相應之人。畫中應真雙手合掌，橫眉豎眼，狀甚凶惡，豈意欲降龍者乎畫衣紋線條流暢肯定，通幅以墨漬染濃雲密霧，形容出大自然神祕恐怖，不可意測的景象。&*Cheng Chung (style name; Ch'ien-li)was native of She-hsien,Anhwei, but later moved to Chin-ling (modern Nanking). He excelled at painting Buddhist figures and had to first ritually bathe before even picking up a brush to paint. Ting Yun-p'eng (1547 or 1548-after 1628) praised him as an incarnation of Chao Po-chu (fl. 1127-1162). He also excelled at small, exquisite landscape in imitation of Sung(960-1279) and Yuan(1279-1368) dynasty styles. This painting is the ninth leaf from the album "Portraits of the Eighteen Lohans (Ying-chen)." An ying-chen is an a-lo-han (Sanskrit; arhat), corresponding to one who is wise and righteous.Even though the figure in this painting clasps his hands together, wears a scornful frown, and appears wicked, he is actually the Subduing-Dragons Lohan. The drapery lines are fluently and assuredly handled.The spread of ink for the thick clouds and mist amply describe the mysterious, terrify-ing, and unpredictable appearances of Nature.&*故宮書畫圖錄，第二十三冊，頁210-213
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
