明陸治寫生 冊
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- 資料識別：
- 故畫001144N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陸治
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 丙申（西元一五三六年）
- 格式：
- 本幅 25.1x26.8公分、前副葉 25.1x26.7公分、全幅 29.5x32.5公分
- 關聯：
- 石渠寶笈初編（養心殿），上冊 ，頁496-497&*故宮書畫錄（卷六），第四冊，頁61-62&*故宮書畫圖錄，第二十二冊，頁318-321&*陸治傳世花鳥畫作，工筆、寫意兩種畫法兼而有之，筆法或者追摹宋人，或者學習沈周（一四二七－一五O九）、陳淳（一四八三－一五四四），同樣投注許多心力。此件寫生冊頁共計十開，作於四十一歲，能得沈周寫意花卉的趣味，潛力卻尚未發揮，所畫依序為菊花、薔薇、梅竹、牡丹、杏竹班鳩、紫薇、芙蓉、水仙、繡球花與荷花。 &*At present, Lu Chih’s surviving works of birds and flowers are done in two main techniques—fine lines and “sketching ideas”. In terms of brushwork, some follow after Sung (960-1279) artists, while others are in the manners of Shen Chou (1427-1509) and Ch’en Ch’un (1483-1544). All reflect the utmost concentration of Lu. This album of paintings from life includes 10 leaves done in 1536 at the age of 40. Lu was able to capture Shen Chou’s style of flowers done with the “sketching ideas” manner but with more restraint. In order of appearance, the blossoms here include those of the chrysanthemum, rose, plum (with bamboo), peony, apricot (with a dove), crape-myrtle, hibiscus, narcissus, hydrangea, and lotus. &*陸治（西元一四九六至一五七六年），江蘇吳縣人。字叔平，號包山子。為人孝悌好義，詩文書畫俱佳，曾遊藝於祝允明、文徵明之門，畫風清雅，山水、花鳥頗能出己意。 陸治「寫生」冊，本幅共計十開，各畫菊、薔薇、梅竹、牡丹、杏竹班鳩、紫薇、芙蓉、水仙、繡球與荷，俱以逸筆為之，殊見清雅之趣。每開並自題點景詩一首，末開款署：「丙申五月，包山陸治識」。故知此冊完成於明世宗嘉靖十五（一五三六）年，時年四十一歲。&*Lu Chih (style name Shu-p’ing, sobriquet Pao-shan-tzu) was a native of Wu-hsien, Kiangsu. Noted for his filial piety and personal integrity, he was an accomplished poet, writer, calligrapher, and painter, associated with such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his landscape and bird and flower paintings, Lu Chih gave full vent to his idiosyncratic style. This album of paintings from nature contains ten leaves, including: chrysanthemums, roses, plum and bamboo, peony, apricot, bamboo and ringdove, purple fern, hibiscus, narcissus, hydrangea, and lotus. All were executed with deft, quick brushstrokes in an especially refined and graceful manner, and each leaf is accompanied by an appropriate poem. An inscription at the end of the album states its completion during the 15th year (1536) of the Chia-ching reign when the artist was 41. &*1.王耀庭、張華芝，〈明陸治寫生〉，收入王耀庭、張華芝編，《明陸治作品展覽圖錄》（臺北：國立故宮博物院，1992年初版），頁76。 2.〈明陸治牡丹〉，收入國立故宮博物院編輯委員會編，《牡丹名畫特展圖錄》（臺北：國立故宮博物院，1987年四月初版），頁40。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
