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- 資料識別：
- 故畫000951N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 吳歷
- 主題與關鍵字：
- 籬笆、圍牆 篷舟 傢俱（屏風） 文玩（琴棋書畫） 山徑 樵夫 百姓 松 鶴 房舍 寺廟 橋 欄杆 寒林．枯樹 亭 石磴、棧道 溪澗、湍泉 高士（士人、隱士） 漁夫、船夫
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 199.2x106.1公分、全幅 122.8公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2208&*故宮書畫錄（卷五），第三冊，頁537&*故宮書畫圖錄，第十冊，頁243-244&*吳歷（一六三一－一七一八），江蘇常熟人，字漁山，號墨井道人。工繪事，壯年受業於王時敏、王鑑，其畫出入宋元，名埒其師，世稱四王吳惲。吳墨井畫，好作重山疊嶂，以茂密蒼鬱勝。王石谷以為吳畫深入黃鶴山樵之室，此幀則仿梅花道人，用墨甚澹，涉筆踈秀，覺莽莽山林之氣，在微嵐薄靄之中。昔人每譏沙彌墨重，墨井其或有意出之淺淡歟。&* Wu Li (style name; Yü-shan, and sobriquet; Mo-ching tao-jen [Taoist of the Ink Well]) was a native of Ch’ang-shu, Kiangsu. Wu Li studied painting as an adult with Wang Shih-min (1592-1680) and Wang Chien (1598-1677). His style evolved from that of Sung (960-1279) and Yüan (1279-1368) dynasty masters, and his fame equalled that of his teachers. Wu Li’s name is usually mentioned together with the Four Wangs and Yun Shou-p’ing (1633-90). In his paintings, Wu Li was found of depicting a large mountain with serried peaks. Wang Hui (1632-1717) considered Wu Li to be deeply influenced by the Yüan dynasty master, Wang Meng (ca. 1309-85), but this work was done after the style of Wu Chen (1280-1354). His use of ink is very profound and his brushwork sparse and elegant, thus imparting the atmosphere of a dense forest and in a thin mist. Since Wu Chen’s work had been criticized for his use of heavy ink, Wu Li purposely used slightly diluted ink here.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
