石渠寶笈三編(延春閣),第四冊,頁2016&*故宮書畫錄(卷八),第四冊,頁84&*1.何傳馨,〈明宋旭清吟消夏圖〉,收入何傳馨、許郭璜編,《夏景山水畫特展圖錄》(臺北:國立故宮博物院,1991年七月初版),頁102-103。 &*故宮書畫圖錄,第八冊,頁163-164&* 宋旭(西元一五二五-一六○五年後),浙江嘉興人。字石門,後出家為僧,法名祖玄,又號天池髮僧、景西居士。善畫山水與人物,山水師法沈周,蒼勁古拙,甚有氣勢。 野水釣舟,遠山遙岑,輕煙瀰漫山間,明月高懸隱約其上,下有水田房舍。林屋外五人憩飲聚談,時聞蛙鳴。此圖蓋寫鄉間清夏夜色。 &* Sung Hsü (style name Shih-men) was a native of Chia-hsing, Chekiang. He later became a monk and took the name Tsu-hsüan and sobriquets T’ien-ch’ih-fa-seng and Ching-his-chu-shih. He excelled at painting landscapes and figures, with the style of the former following that of shen Chou (1427-1509). Sung’s style was hoary, archaic, and full of energy. In this painting are a fishing boat on remote waters and obscure mountains in the distance. A light mist wafts through the mountains as the bright moon hangs high above the water, fields, and buildings below. Outside of a building in the glade are five people gathered together drinking, chatting, and listening to the frogs. This work is a description of a countryside scene on a cool summer evening.