石渠寶笈初編(重華宮),下冊,頁801&*故宮書畫錄(卷八),第四冊,頁86&*故宮書畫圖錄,第八冊,頁355-356&*1.〈明丁雲鵬東山圖〉,收入國立故宮博物院編,《晚明變形主義畫家作品展》(臺北:國立故宮博物院,1977年九月初版),頁96。 &*丁雲鵬(西元一五四五-一六二八年後),安徽休寧人。字南羽,號聖華居士。善道釋人物,白描細如游絲之作品似李公麟。於山水、寫生亦極精妙。山水構圖繁複,皴點細密,青綠山水則似文派作風。 本幅描寫六朝時人謝安放情丘壑,悠遊東山之事。構景與其萬曆己亥(一五九九年)所作廬山圖有相同處,應是同時或稍早之作。此畫峰巒層疊,樹叢濃鬱,山深林密,澗曲谷深,近似元代王蒙之風格。 &*Ting Yün-p'eng was a native of Hsiu-ning, Anhwei. His style name was Nan-yü, and his sobriquet was Sheng-hua chü-shih. He excelled at painting Buddhist and Taoist figures, specializing in the pai-miao (outline) style of Li Kung-lin. His landscapes and hsieh-sheng (painting from life) paintings were also excellent. His landscape compositions were complex and varied, and his texture strokes were finely detailed. His blue and green landscapes were depicted in the style of Wen Cheng-ming. In this work, Ting Yün-p'eng has painted a scene of Hsieh An of the Six Dynasties Period (221-589) strolling idly on Mt. Tung. The work bears similarities to his Lofty Mt. Lu painting executed in 1599 and was either painted around the same time or slightly earlier. Layers of mountain peaks and ridges and a dense and verdant forest of trees have been painted in this scene. The dense forest deep in a mountain and curvy mountain stream in a valley are elements which are similar to the style of the Yüan master Wang Meng.