明陸治飛閣凭江圖 軸
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- 資料識別：
- 故畫002236N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陸治
- 主題與關鍵字：
- 山徑 江河、湖海 瀑布 雲 臺閣 橋 高士（士人、隱士） 松
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明穆宗隆慶二年（1568）
- 格式：
- 本幅 126x44.1公分、全幅 64公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2821 &*故宮書畫錄（卷八），第三冊，頁83 &*故宮書畫圖錄，第八冊，頁9-10&*陸治原本從學於文徵明（一四七O－一五五九），再從文氏探索王蒙（一三O八－一三八五）、倪瓚（一三O一－一三七四）各家筆法，進一步從宋元繪畫大傳統中提煉出自己的風格。本幅畫作即兼有宋人構圖的意念和元人筆墨的趣味，運用轉折明快的筆法，勾畫出簡潔有力的輪廓皴線，將山石的硬度和質感傳達出來，是七十三歲積學深厚、老境成熟之作。&*Lu Chih originally studied painting under Wen Cheng-ming (1470-1559), and then through Wen looked back to the styles of such artists as Wang Meng (1308-1385) and Ni Tsan (1301-1374). By going back to the great traditions of Sung (960-1279) and Yüan (1279-1368) painting, he was able to create his own style. This work combines the composition of Sung painting and the brushwork of Yüan art along with his own unique style of crisp, angular brushwork. He formed pure yet powerful outlines and textures for the mountains, thereby expressing their hardness and appearance. This painting, done in 1568 at the age of 72, reflects the breadth of Lu Chih’s learning and the maturity of his style at this time.&* 陸治（西元一四九六－一五七六年），江蘇蘇州人。字叔平，住在包山，因號包山子。以孝友著稱，好為詩及古文辭，善行楷，尤通繪事，遊祝允明、文徵明之門。其於繪畫，力求出奇致勝。工寫生，點染花鳥竹石亦頗能傳神，是明代有名的畫家。 淺設色畫，飛閣凭江，奇山峻石，有稜有角，以方折筆墨出之，顯現作者獨創的風格。飛雲懸瀑，僅寥寥數筆，亦頗見特色。人物之線條肯定簡約，係出吳門。畫有隆慶戊辰年款，為陸治七十三歲之作。 &*Lu Chih whose style name was Shu-p'ing and sobriquet, Pao-shan-tzu was a native of Soochow, Kiangsu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu Chih became a well-known Ming Dynasty painter. This painting touched with light color depicts a river vista from a pavilion on a cliff. The oddly-shaped mountain and precipitous rocks were drawn with sharp-angled strokes that reveal Lu's original style. He used terse brush strokes, characteristic of his painting, to portray drifting clouds and the plummeting waterfall. The figures were drawn with a few simple but affirmative strokes which is derived from the Wu School. The painting is dated 1568, when the artist was seventy-two years old. &*1.王耀庭、張華芝，〈明陸治飛閣凭江圖〉，收入王耀庭、張華芝編，《明陸治作品展覽圖錄》（臺北：國立故宮博物院，1992年初版），頁72-73。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
