故宮書畫錄(卷八),第四冊,頁81&*故宮書畫圖錄,第七冊,頁239-240&* 陳淳(西元一四八三-一五四四年),長洲(今江蘇蘇州)人,字道復,後以字行,更字復甫,號白陽山人。天才秀發,嘗遊文衡山之門。 雲松深邃,五鹿寒擁,無款印,舊題陳道復五鹿圖。白陽畫鹿,他處未見。本幅點染花草,猶是白陽面目。松石花卉之筆墨與造形,亦較畫鹿為精。 &* Ch'en Shun (style names Tao-fu, Fu-fu; sobriquet Pai-yang shan-jen) was a native of Ch'ang-chan (modern Suchou). Of exceptional talent, he once studied under Wen Cheng-ming (1574-1559). Amidst deep clouds and pines in this painting, five deer huddle against the cold. Although this work has no seal or signature of the artist, the traditional title is “Five Deer by Ch'en Tao-fu.” Ch'en Shun's renderings of deer usually were not up to that of other subjects. In the dotting and washes of the flowers and plants here are very much in the style of Ch'en Shun. Furthermore, the forms and brushwork ;of the pines, stones, and flowers all appear more refined than those of the deer. &*1.〈傳明陳淳五鹿圖(明汪肇)〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北:國立故宮博物院,2008年初版一刷),頁187-188。