元倪瓚疎林遠岫圖 軸
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫000295N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 倪瓚
- 主題與關鍵字：
- 竹 齋館 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明太祖洪武五年（1372）
- 格式：
- 本幅 72.9x37.5公分、全幅 58公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1111 &*故宮書畫錄（卷五），第三冊，頁219 &*故宮書畫圖錄，第四冊，頁299-300&* 倪瓚（西元一三0一—一三七四年），江蘇吳鍚人。字元鎮，號雲林、迂翁。家富饒，築清閟閣，蓄古書畫，尤善山水，為元四大家之一。 水墨畫河岸、疏樹、竹林與房舍，對岸則山巒起伏。用筆多中鋒，山石皴法以披麻為主，略有折帶筆意。幅上有壬子（一三七二）年款，時七十二歲。然本幅題款，實摹自本院藏倪氏真本「容膝齊圖」。用筆亦無倪氏一代大家之健勁，顯係後代摹品。 &* Ni Tsan (style name Yüan-chen, sobriquets Yün-lin and Yü-weng) was from Wu-hsi, Kiangsu. From a wealthy family, their collection of art was stored at the Ch’ing-pi-ko pavilion. Ni Tsan excelled at painting landscapes, being considered one of the Four Yüan Masters. With shades of ink, Ni Tsan has depicted here a river bank on which a sparse grove of trees and bamboo appear clustered around a simple cottage. On the opposite shore, a series of peaks rise. Executed mostly with a centered brush, the texturing of the trees and rocks was largely done with hemp-fiber strokes; some slanted strokes and dots also appear. However, the inscription on this work done in 1372 is actually copied from that of Ni Tsan’s “Jung-hsi Pavilion” in the Museum’s collection, which is considered genuine. The brushwork here also lacks the powerful force of the master, suggesting it is a later copy.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
