石渠寶笈初編(養心殿),上冊,頁669&*故宮書畫錄(卷五),第三冊,頁267&*故宮書畫圖錄,第五冊,頁227-228&*1.譚怡令,〈元人杏鵝圖〉,收入譚怡令編,《呂紀花鳥畫特展》(臺北:國立故宮博物院,1995年初版),頁108。 &*本幅無名款,舊傳為元人之作。 描繪水濱雙鵝,旁有兩棵柳、杏,飛燕穿梭柳葉之間,柳陰下斜出幾枝杏花。從繪畫內容及布局看來,它像是明院體大幅花鳥畫的構圖,畫柳幹之皴紋,有仿呂紀之筆意,畫鵝則似林良寫禽之趣,應是結合林良、呂紀影響之作。&*This painting bears neither the signature nor the seals of the artist, and was formerly attributed to a Yüan dynasty artist. Two geese are beside a bank, and a swallow flies about the branches of awillow tree. Under the willow tree, there are several apricot branches. The subject matter and the composition suggest that this is a large bird-and-flower painting produced at the Ming imperial court. The texture strokes of the trunk of the willow tree are in Lü Chi's style, and the geese are painted in the manner of Lin Liang. The artist must therefore be a follower of Lin Liang and Lü Chi.