明文徵明蕉陰仕女圖 軸
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- 資料識別：
- 故畫001339N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文徵明
- 主題與關鍵字：
- 奇石 仕女 芭蕉 扇 欄杆
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖十八年（1539）
- 格式：
- 本幅 46.4x21.9公分、全幅 48公分
- 關聯：
- 石渠寶笈三編（延春閣），第四冊，頁1926&*故宮書畫錄（卷五），第三冊，頁391-392&*故宮書畫圖錄，第七冊，頁83-84&* 文徵明（西元一四七○－一五五九年），江蘇長洲人。初名壁，字徵明，後以字行；亦字徵仲，號停雲生、衡山居士。詩文書畫並佳，為明四大畫家之一。畫從沈周出，而別有成就，影響明朝晚期畫風甚鉅。 文徵明性嚴謹，不常作仕女畫，本院所藏僅此一幅。構圖和筆墨均極簡明，草草數筆，聊以示意，是文人畫家的作風。款署：嘉靖己亥（一五三九年）春日，偶閱趙松雪芭焦仕女，戲臨一過。此年文徵明七十歲。 &* Wen Cheng-ming (style-name Cheng-chung; sobriquets T’ing-yün-sheng and Heng-shan-chü-shih) was a native of Chang-chou, Kiangsu. Originally his given name was Pi and his style-name Cheng-ming, but later in life he came to be known by Cheng-ming. A noted poet, calligrapher and painter, Wen is considered one of the Four Great Masters of the Ming Dynasty. While he followed the style of Shen Chou (1427-1509), he was, nonetheless, able to achieve an individual expression which had a profound influence on the work of later Ming artists. By nature solemn and chaste, wen painted female subjects only infrequently; indeed, this is the sole example of a painting on this theme by Wen in the Palace Museum Collection. The painting is imbued with a sense of harmony and grace; Wen’s ideal has been achieved by means of a few simple but carefully executed strokes. The style of the Ming dynasty literati is well-exemplified here. In his own inscription on the painting, Wen informs us that it was done on a spring day in 1539, after he had seen a painting on the same theme by Chao Meng-fu (1254-1322). &* 己亥（一五三九）春日作。自題偶閱趙孟頫蕉陰士女，戲臨一過。徵明仕女畫絕少，此為僅見。其實草草數筆，聊以見意而已。 &* 文徵明（西元一四七○－一五五九）長洲人。初名壁，字徵明，後以字行，亦字徵仲，號停雲生、衡山居士。詩文書畫幷佳。畫師沈周，為明四家之一。 文翁性嚴謹，美女畫不數數覯。本院僅此一幅。盖猶司馬君實賦西江月。說寶髻鬆鬆挽就。偶一為之者也。款署嘉靖己亥春日。偶閱趙松雪芭蕉仕女。戲臨一過。是翁七十歲畫。 &*1.江兆申，〈文徵明蕉陰仕女 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁294。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
