石渠寶笈續編(乾清宮),第一冊,頁389&*故宮書畫錄(卷五),第三冊,頁300&*故宮書畫圖錄,第六冊,頁163-164&*1.江兆申,〈沈周題劉珏清白軒圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁295。 &* 劉珏(西元一四一0-一四七二年),字廷美,號元庵,江蘇長洲人。能詩工書,善山水,得元代文人畫家吳鎮諸人遺意,明初與杜瓊、徐有貞、沈貞吉、沈?吉並重。 本幅記作者與其友西田上人燕樂清白軒中之情景。結構緊密,筆墨溫厚,披麻長皴,濕筆點苔。明四大家之首沈周,即頗受其影響。 &*Liu Chüeh, style name T’ing-mei, sobriquet Wan-an, was a native of Ch’ang-chou, Kiangsu. A gifted poet, calligrapher and painter, he was especially noted for his landscape paintings. He was said to have been influenced by the Yüan master, Wu Chen, and is often mentioned with other early Ming painters such as Tu Ch’iung, Hsü Yu-chen, Shen Chen-chi and Shen Heng-chi. The painting depicts the artist and a friend enjoying themselves in the Ch’ing-pai Studio. The composition is tightly constructed, delineated with soft, dark brushstokes and accented with wet, moss-dotting. Liu Chüeh’s painting style made a distinct impression on Shen Chou, one of the great masters of the middle Ming period.