明莫是龍東岡草堂圖 軸
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- 資料識別：
- 故畫000574N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 莫是龍
- 主題與關鍵字：
- 秋景 松 橋 房舍 雲 山徑 溪澗、湍泉 高士（士人、隱士） 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 131.6x53公分、全幅 70公分
- 關聯：
- 秘殿珠林續編（乾清宮），頁430&*故宮書畫錄（卷五），第三冊，頁429-430&*故宮書畫圖錄，第九冊，頁25-26&* 莫是龍（西元一五九０年前後），江蘇華亭人，僑居上海。曾得米芾玩過的奇石，在上刻上雲卿兩個字因以此為字。後又更字廷韓，號秋水，又號後明。幼年就有神童之稱。詩文皆宗唐人，書法鍾繇、王羲之、米芾。畫山水，學黃公望，著有畫說一卷討論繪畫理論。 這幅畫群峯四合中，雲映樹影。溪泉奔壑，隱約若聞有聲。草堂中一人據几讀書。林間一人散步。筆墨清雅古淡，是典型的文人畫。畫上自題七言詩句也很好。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual stone once held by Mi Fei came into his possession, and he took his style name, Yün-ch’ing, from two characters carved on this stone. Later he took another tzu (style name), T’ing-han, and the hao (sobriquets) Ch’iu-shui and Hou-ming. He was a child prodigy, and his later poetry and prose followed the traditions of T’ang and Sung masters. His calligraphy was in the tradition of Chung Yu, Wang Hsi-chih and Mi Fu. In landscape painting he studied the style of Huang Kung-wang. A collection of notes on the history and theory of painting entitled Hua Shuo has been attributed to him. Four clusters of peaks surround a sea of bright clouds and shadowy trees. A rapidly flowing stream tumbles out of the obscurity, its sound almost audible. Inside the thatched cottage, a figure reads at his desk, while another man strolls in the woods. The brush and ink are pure and refined, possessing an antique blandness. This is a rare example of literati painting. The artist’s poem, in the seven character line style, is also excellent.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
