石渠寶笈續編(寧壽宮),第五冊,頁2705&*故宮書畫錄(卷五),第三冊,頁69-70&*故宮書畫圖錄,第二冊,頁3-4&*1.〈宋趙伯駒春山圖〉,收入國立故宮博物院編輯委員會編,《春景山水畫特展圖錄》(臺北:國立故宮博物院,1987年一月初版),頁52。 2.本社,〈宋趙伯駒春山圖軸〉,《故宮文物月刊》第26期(1985年5月),封底裡。 &*趙伯駒(1120-1183),字千里,宋太祖七世孫。善畫青綠山水,兼工花卉翎毛,尤長於人物樓臺界畫。本幅畫山水晴雲,遊騎尋春,村家桃柳,水亭茶話。通幅以青綠為主調,生動地表現出春日觸目階綠的景緻。&*Beneath the fair-weather clouds of this landscape have come people on spring outings. Among the peaches and willows is a pavilion on the water, where people chat and drink tea. The painting's primary tones are green and blue, which vividly depict the predominantly green scenery that greets the eye in spring. Chao Po-chu, stylenamed Ch'ien-li, was the seventh generation grandson of Emperor Sung T'ai-tsu. He excelled in blue and green landscapes, flower and bird paintings, figure paintings, and ruled-line paintings of architectural subjects.