宋郭熙關山春雪圖 軸
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- 資料識別：
- 故畫000055N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 郭熙
- 主題與關鍵字：
- 冬景（雪景） 溪澗、湍泉 瀑布 寒林．枯樹 松 柏 臺閣 水利
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 宋神宗熙寧八年（1072）
- 格式：
- 本幅 179.1x51.2公分、全幅 86公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1393&*故宮書畫錄（卷五），第三冊，頁53-54&*故宮書畫圖錄，第一冊，頁215-216&*郭熙(約一０二０-一０九０前後)，河南溫縣人，字淳夫，神宗朝御畫院藝學。工畫山水，師法李成，而能自放胸臆。另創影壁山水一種，即後世塑壁山水。又精繪畫理論，著有「林泉高致」一書，專論山水畫。郭熙山水深得李成真傳，小變其法，蟹爪樹枝與雲頭皴法是其特色。此幅林木寒肅，山頭峻厚，情景極佳。&*Kuo Hsi (style name; Shun-fu) came from Wen-hsien, Honan. He joined the Painting Academy in 1068 by command of the Emperor Shen-tsung. He was an excellent Painter of landscapes. Though he modelled his works on those of Li Ch'eng (916-967), his paintings express his own ideas and feelings. He founded the ying-pi style of landscape wall painting in which shadows on an irregular surface guide the painter. He was also the author of an important treatise on landscape painting, the Lin-ch'uan Kao-chih. Kuo Hsi's paintings are very close in style to those of Li Ch'eng. The special characteristics of his paintings were the use of crab-claw strokes to depict branches of trees and his texture strokes for clouds. This painting shows a bitterly cold forest set among soaring peaks. It is a masterpiece of the landscape genre.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
