宋崔白蘆花羲愛 軸
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- 資料識別：
- 故畫000061N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 崔白
- 主題與關鍵字：
- 鵝 蘆葦 秋景
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 141.2x86.3公分、全幅 122公分
- 關聯：
- 故宮書畫錄（卷五），第三冊，頁58-59&*故宮書畫圖錄，第一冊，頁253-254&*崔白(西元十一世紀)，安徽濠梁人，字子西，工畫花竹翎毛，以畫枯荷鳧雁得名，但也精於道釋、人物、鬼神。據說他作畫不起稿，畫長絃挺刃，不用直尺界筆。宋神宗熙寧初(約西元1068年)受命與艾宣、丁貺、葛守昌等人畫垂拱殿屏風，頗受讚賞，補為圖畫院藝學。此圖繪蘆岸間，一鵝昂首獨立。蘆葉經霜，殘綠猶存。鵝身描繪精細，羽毛纖毫畢顯，極為寫實。本幅舊傳為崔白所作。&*Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts--remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
