元陶復初畫秋林小隱 軸
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- 資料識別：
- 故畫000314N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 陶復初
- 主題與關鍵字：
- 秋景 高士（士人、隱士） 水榭 茅草屋 溪澗、湍泉 瀑布
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 70x28.7公分、全幅 53.2公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2769&*故宮書畫錄（卷五），第三冊，頁235&*故宮書畫圖錄，第五冊，頁69&*1.傅申，盧素芬譯，〈傳陶復初畫〈秋林小隱〉應是明項德新所作 — 故宮藏畫鑑別研究之二〉，《故宮文物月刊》，第316期（2009年7月），頁70-82。 &*陶復初，元初天台人。字明本，號介軒。書工篆隸，墨竹師李息齋父子，著色竹甚佳，亦能山水。 陶復初以畫竹名家，而傳世之作甚少。此幀所畫澗濱巖隙，架水茅齋，雜樹連雲，背山環抱。筆墨極為秀逸，屋宇尚有宋人餘韻。澗水縈洄，波紋激盪。筆墨甚精，惟壓頂一峰，皴筆襍沓，微覺細碎。&*T'ao Fu-ch'u was a native of T'ien-tai, Chekiang. His style name was Ming-pen; his sobriquet Chieh-hsüan. T'ao Fu-ch'u was noted for his calligraphy in seal and clerical scripts. In painting ink bamboo, he followed the style of Li K'an (1245-1320) and Li Shih-hsing (1282-l328). His coloured bamboos are also excellent; his landscapes noteworthy as well. Although T'ao Fu-ch'u first gained fame for his bamboo paintings, few of these remain. This painting depicts a landscape of streams and gorges, a thatched cottage spanning the water, copse and trailing clouds, with a curving range of mountains behind. The artist's use of brush and ink is refined and free; his house inheriting a Sung flavor, his water whirling in eddies, their ripples in agitation. Only, the creases of the towering peak are confused and too varied so that there is a slight feeling of incoherence.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
