宋朱銳山閣晴嵐 冊頁
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- 資料識別：
- 故畫001250N000000002
- 資料類型：
- 繪畫
- 著作者：
- 朱銳
- 主題與關鍵字：
- 石磴、棧道
- 江河、湖海
- 高士（士人、隱士）
- 侍從（侍女、童僕）
- 松
- 藤蘿
- 臺閣
- 欄杆
- 格式：
- 本幅 25.6x19.9公分
- 對幅 25.6x19.9公分
- 全幅 43x82.4公分
- 關聯：
- 石渠寶笈三編（乾清宮），第二冊，頁605-606
- 故宮書畫錄（卷六），第四冊，頁220-221
- 朱銳，河北人。北宋宣和初授畫院待詔。南宋紹興年間復職，授建功郎，賜金帶。工畫人物山水，師法王維，尤好寫騾綱、雪獵、盤車等圖。形容佈置，曲盡其妙。宋人青綠山水，常有不全面敷染，往往於山巒巖石上方，置較重青綠色，本幅可為一例。本幅無款印，依舊籤定名。案同冊第五幅，籤題為「宋祝次仲蒼磯清樾」，畫風完全一致，應是同出一手。本幅是否出於朱銳，待考。然論布局之清遠，筆墨之靈巧，與設色之雅淨，非南宋高手莫辦。
- hu Jui, a native of Hopei, served as a Painter-in-Attendance in the Imperial Painting Academy during the Hsüan-ho period (1119-1125). In the Shao-hsing period (1131-1162), he was reinstated as a painter at court. He was skilled in painting figures and landscapes, and studied the style of Wang Wei. He particularly liked painting fishing nets, hunting scenes in the snow, and horse carts. He was a master at painting details and constructing interesting compositions.In blue-and-green landscape painting of the Sung dynasty, there is the tendency not to cover the entire painting with colors but to paint the tops of mountains and rocks with heavy blue and green pigments, as in this painting. This painting bears neither signature nor seals of the artist, but has a label attributing it to Chu Jui. It is similar in style to the fifth leaf in the album An-t'ung ts'e by chu Tz'u-chung, and in fact, both leaves appear to be by the same hand. This painting cannot be securely attributed to Chu Jui at this time, but only Southern Sung artists of great skill can paint a work with such a fine composition, such expert handling of brush and ink, and such elegant, light coloration.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
