五代後蜀滕昌祐牡丹 軸
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- 資料識別：
- 故畫000025N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 滕昌祐
- 主題與關鍵字：
- 牡丹 奇石
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 99.7x53.5公分
- 關聯：
- 石渠寶笈三編（延春閣），第三冊，頁1366 &*故宮書畫錄（卷五），第三冊，頁29 &*故宮書畫圖錄，第一冊，頁115-116&*1.〈五代•後蜀滕昌祐牡丹〉，收入國立故宮博物院編輯委員會編，《名寶上珍》（臺北：國立故宮博物院，1995年初版一刷），頁200。 2.本社，〈五代前蜀滕昌祐牡丹〉，《故宮文物月刊》，第50期（1987年5月），頁1。 &*滕昌祐（活動於西元九世紀後期），吳人，隨僖宗避黃巢亂入蜀，與刁光胤同居四川。其畫風亦屬工麗一路，隨類賦彩，用色鮮艷，擅繪鵝、折技花果及蟬雀。黃筌畫鳥雀師刁光胤，花竹則師滕昌祐，滕刁二人，對北宋院體花鳥畫之發展，皆有功焉。本幅舊傳為五代滕昌祐之作，繪湖石牡丹，左右、繁疏、高下相對，布置得體。用墨筆鉤勒花瓣，復填色於內，以白粉點蕊。葉則先塗色再鉤出葉脈。湖石筆意疏澹，再以石綠提醒墨苔，全幅於工謹中別有流麗之意趣。 &*T'eng Ch'ang-yu, a native of Wu (modern Chekiang province), followed Emperor Hsi-tsung (r. 874-880) to Szechwan province during the disturbances at the end of the T'ang dynasty and took up residence with another artist, Tiao Kuang-yin. His painting style is meticulous and beautiful, rich in detail and color. He excelled in painting geese, flowers, fruit, birds, and insects. The famous bird-and-flower painter Huang Ch'üan learned to paint birds from Tiao Kuang-yin and flowers and bamboo from T'eng Ch'ang-yu. Both Tiao and T'eng contributed greatly to the development of bird-and-flower painting in the Northern Sung (960-1126) Painting Academy. This scroll, formerly attributed to the Five dynasty master T'eng Ch'ang-yu, is a depiction of a Lake T'ai rock and peonies. The rock and peonies are masterfully balanced with open space, resulting in a harmonious composition. Light ink was used to outline the petals of the peonies, and colors were then added of fill in the outlines. The stamens are dotted with white powder. The leaves were first colored, and the veins were then outlined in ink. The rock, painted with clear brushstrokes, is adorned with light green moss dots. The entire scroll imparts an air of beauty with its craftsmanship. &*滕昌祐（約活動於九世紀後期），吳（今江蘇蘇州）人，隨僖宗避黃巢亂入蜀（八八一），用色鮮艷，擅繪鵝、折技花果及蟬雀。 本幅繪湖石牡丹，花葉筆觸變化多端，花瓣先以墨筆鉤勒再填色，並以白粉點飾花蕊，湖石筆意疏澹，構圖右繁左簡，全幅於工謹中別有流麗的意趣。 本幅舊題為五代滕昌祐之作，從畫風看，成畫時間當在明代中晚期。(20110405)&* Teng Changyou, a native of Wu (modern Suzhou, Jiangsu), followed Emperor Xizong to Sichuan to avoid rebellions in the late Tang (881). Using gorgeous colors, he specialized in painting geese, broken-stem flowers and fruit, and cicadas and peacocks. This painting depicts a lake rock and peonies, the brushwork of the flowers and leaves with many variations. The petals were first outlined in ink and then filled with colors, the stamens dotted with white. The rocks are done in clear strokes, the composition complex to the right and simpler to the left. The scroll has an air of beauty and refinement in the fine brushwork. Judging from the style of this old attribution to Teng Changyou, it was probably done in the middle to late Ming dynasty (1368-1644).(20110405)
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
